Over the years, this has come up on a regular basis.  One camp of lace makers 
will say, but Jose people who learnt honiton in the 1700s never learnt torchon. 
 And they are right.  But they didn't attend classes for a few hours at a time, 
 they were taught lacemaking from an early age and time spent was almost the 
same as a modern day apprentice would recognise - hours spent studying the 
making and practicing.

There is a lot to be said for starting with laces that work in geometrical 
patterns as these are easy to see the next steps and understand where you have 
made a mistake before it goes too far.  But as one who made yards of what I can 
only describe as bandages for worms (0.5cm wide pieces of lace) to demonstrate 
that I understood what I was doing, I became disenchanted with the whole thing 
because after 4 months I had nothing recognisable to show for my efforts.  We 
now have some outstanding patterns and books available that can inspire new 
Lacemakers to make things that build up quickly and yet teach you the basics.

I adore using Christine Springett's snake pattern because it uses really robust 
thread (gold dust and coton perle) so no broken threads and teaches good 
tension, whole / cloth stitch and also how to twist and make a sewing. Using 
colour threads allow the newbie to check that they haven't muddled their 
bobbins too.  But any pattern that uses robust threads would be perfect for me 
as a teaching aid because there is nothing more frightening to a new lacemaker 
than a broken thread.  The other advantage is that this pattern can be made and 
mastered for a complete novice in just two evening or half day sessions.  

For me, the heartbreaking thing was when I brought a book and came bouncing in 
to my lesson saying I really anted to make a small piece of lace as a present 
for my mother; for her dolls house.  My teacher sneered at me that it would 
take months if not year before I could even start to think about it.  I left 
the lessons and joined a local group.  I showed the same pattern to a member 
there and she suggested two or three pieces from the same book to make that 
would teach me the skills to make the piece I wanted.  Three months later I had 
made it.

It's about finding the right way to get your pupil to the point they can do 
what they want.



Kind Regards

Liz Baker

> On 24 Apr 2014, at 17:49, Clay Blackwell <[email protected]> wrote:
> 
> I can identify with your friend who is just starting, and is drawn to Bruges 
> Flower  Lace!  I think we are all drawn to beautiful laces and would like to 
> just jump right in and do it!

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