Dear Susan,
 
So many questions!  Did you read my reviews of Gil Dye's books:
 
Gold & Silver Edgings,16th & 17th Century Lace, Book 1
Surface Decoration in Silk and Metallic Thread, 16th & 17th Century  Lace, 
Book 3
 
You can go to the Arachne archive and put Gil Dye in the Search  box.  Her 
books have metallic laces with spangles worked into  them, including 
prickings and instructions.
 
http://www.mail-archive.com/[email protected]/index.html
 
Gil will be teaching this sort of thing at the IOLI convention in  
Sacramento California, August 3-9, 2014.
 
Gil has also written a series of articles about these laces.   They 
appeared in recent IOLI Bulletins.  She has been most  generous.
 
In addition, since I know you like embroidery of this and the Tudor period, 
 you might look at how spangles are used with embroidery.  I took a  Tudor 
period Blackwork class with Jane Zimmerman in 2001 at the ANG seminar  in 
Arlington Virginia (just before 9/11) in which gold spangles  were sewn in a 
random way on the evenweave linen areas not covered with  stitching.  We made 
a sweet bag, much like those you can see in Jacqui  Carey's self-published 
2009 book "Sweet Bags".  Depending on how long  the strings are on a bag, 
you can wear one as a pectoral, around your neck  - if your front is flat.  It 
is interesting Jacqui writes about more  than braiding.  My book came from 
http://ruthkernbooks.blogspot.com.   You  could have a look again at the 
site you have sent us to on several occasions,  once quite recently, where such 
work is beautifully presented.
 
Perhaps you have some needlework or costume books which would also show how 
 spangles were used centuries ago. There is also the very wonderful book I  
reviewed last year that covers the art of Tudor and Stuart fashion - In  
Fine Style, by Anne Reynolds.  Review will be in  our archives   Quite a few 
Arachne members purchased this  book.  
 
As for what you want to do Susan, why must you follow tradition?  It  seems 
you could be quite original and no one would criticize.  It is OK to  study 
the old and then create something reflecting the present era.   There are 
no rules - just the ones you impose on yourself.
 
Jeri Ames in Maine USA
Lace and Embroidery Resource Center
---------------------------------------------------------
 
In a message dated 7/21/2014, [email protected] writes:
 
Hello  All!  With magnification I discovered that all the embellishments on 
my  wretched fans are the real deal--spangles made from wire!!  The larger  
size seem to be silver plated brass?  Not sure of the 2mm as there is no  
tarnish, however, neither are reactive to a magnet so are not steel.   After 
much snipping & cleaning I now have 136 3mm spangles & over 300  2mm 
spangles.  Not enough for a Plimoth Jacket (ha ha!), but should be  plenty for 
a 
lovely period piece of some sort.  All of which begs the  questions:  are 
there patterns specifically designed for the application  of spangles or is any 
pretty edging fair game?  Does the lace itself need  to be worked in 
metallic thread or can a neutral thread be embellished with  the understanding 
that 
the impact will be less glittery?  Is it OK to mix  sizes & colors on the 
same piece since I have a stash of Kreinik #19, #18  & #16 gold, plus #14 
silver?  Several early lace classes have been  offered recently but I don't 
recall that any involved spangles so how  does one learn the protocol of using 
them for lace?  Is there a book  specific to this topic?  My spangle 
collection has been keeping company  with my long-idle goldwork supplies.  They 
are 
too beautiful to keep in a  drawer so what's the best way to do something 
with them before I'm in the  urn?  Lace content:  would you believe, I 
snagged some vintage  lace/trim off the fans too!  It's an embarrassment of 
riches 
for  $4.  Sincerely, Susan Hottle, Erie, PA USA       

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