If you would like to read what Jean in Cleveland UK wrote about Ma's Laces
in 2004, search by the book title in our Arachne Archives.
http://www.mail-archive.com/[email protected]/index.html

You might like more details from the book, that might help you find a  copy:

'The Story of "Ma's" Laces - 1914-1918 - Her response to the trauma of
wartime'
By Kerry and Carol Brooksbank  2004
The Dedication is by Yvonne Brooksbank-Liénaux

To answer Janis's question: Dedication says laces can be seen today, by
request, at the Musée du Costume et de la Dentelle de la Ville de  Bruxelles.
Book shows name as hyphenated:  Louise  Liénaux-Vergauwe

(May I suggest that if anyone knows OIDFA's Belgium Congress Committee
members, please ask if they might be able to influence the museum to  exhibit
these laces in 2018?  Request per Jeri Ames)

This is a lovely soft-cover book, many photos, about 5/8" thick (no page
numbers), ISBN 0-901100-54-4

It is explained that it was most important to Louise's daughter that  the
laces be placed to their best advantage, thus ensuring their careful
preservation.  How nice it would be if all such laces were held in such  high
regard - and were as well-documented!

My copy of the book was ordered abroad in 2004 for $30, plus $14 for
postage and handling.

Jeri Ames in Maine USA
Lace and Embroidery Resource Center
--------------------------------------------------------



In a message dated 7/4/2015 4:24:36 P.M. Eastern Daylight Time,
[email protected] writes:

I would  like to tell you about a wonderful talk I went to this morning.
Professor  Richard Brooksbank gave a talk on his great grandmother,
Louise Lienaux  Vergauwe. She was a young mother in World War 1 in
Belgium, Her husband  was drafted into the army and she managed to
evacuate her children to  Holland while she stayed in Belgium.
During this time she taught herself to  make lace from books and chose to
demonstrate her anger at the situation,  in lace. She only made 5 lace
pictures, each about 40 x 50 cms, and one  lace fan.
1. 'Defense of the Yser' depicting the german eagle on the back  of the
Belgian lion.
2.  'The prediction' depicting the Belgian  lion holding the /german
eagle down while the British bulldog lifts his  leg over the eagles head,
and the French cockerel and the Bussian bear  attack the eagle.
3. 'Belgium bowed but not defeated'. 2 women, the belgian  one being
supported by the another.
4. 'America enters the war' with  the Statue of Liberty and a so
realistic picture of Kaiser Wilhelm.
5.  'King Albert
6. 'Peace' a lace fan with irises and a mother and  child.

The lace is amazing with the use of stitches etc giving a 3D  effect to
the pictures. After the war, when the family was reunited, she  never
made any more lace. Although she received awards for the laces and
received offers to buy them, she never sold them but during WW2, when
she had to flee Belgium she posted the fan to her sister in England as
it was her most precious piece, and took the others with her.
They are  apparently, now in the Museum Communaux (is this the museum of
lace and  costume?)in Brussels.
There is so much more to the story and it was  absolutely fascinating. I
am so inspired by the quality of the lace and  the story behind it. There
is a book about it called The Story of Ma's  Lace but it is out of print.
I begged Prof Brooksbank to let me know if it  is republished and he is
thinking about it.
Has anyone seen these laces  in Belgium? I have tried to google more
about this story but can find  nothing. If there is any more information
about it, I would love to hear  it.
This was a once in a lifetime opportunity to hear this talk on lace  when
we are so far away from the centres of lace in Europe and we all felt  so
privileged.

Janis in South Africa, about to go to bed and dream  about being able to
make such amazing  lace.

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