Devon has had problems posting to Arachne today.  Now, I am trying for  
her, but it seems that AOL may have me locked out, too.  Hope this reaches  our 
members!
 
Jeri Ames in Maine USA
Lace and Embroidery Resource Center
 
  
____________________________________
 From: [email protected]
To: [email protected]
Sent: 11/3/2015 4:23:16  P.M. Eastern Standard Time
Subj: Fwd: Fashion and Virtue: Texile Patterns  and the Print Revolution 
1520-1620



  
____________________________________
 From: [email protected]
To: [email protected]
Sent: 11/3/2015 12:24:51  P.M. Eastern Standard Time
Subj: Fashion and Virtue: Texile Patterns and  the Print Revolution 
1520-1620


Dear Friends, 
Susan Hottle has been kind enough to draw attention to the new  exhibit 
Fashion and Virtue, at the Metropolitan Museum of Art in New York. I  think 
this is a very interesting exhibit. In the 16th and 17th century  printing 
evolved in the direction of printing pattern books for lace and  needlework. 
The 
Metropolitan Museum of Art has an excellent collection of  these early 
pattern books which curator Femke Speelberg has paired with  textiles that show 
the patterns in use. For people who are interested in the  history of lace 
and embroidery this is really a stunning show. In the 1930s  the museum put 
on an exhibition pairing patterns with textile samples, most  of them lace, 
and this entire exhibit appears on one wall as a side light.  These are very 
interesting study cards which are frequently consulted by  early lace 
enthusiasts in order to understand the translation of the  patterns to lace. 
This is an intellectually exciting exhibit in which you have to read  the 
labels to get the entire effect. The textiles were chosen to demonstrate  the 
patterns in the books, so they were not chosen on the basis of being  world 
class textiles, although several of them are quite nice. It is  really 
incredible that she found as many textiles as she did to match  with the 
patterns. My hat is off to her. Some of them are loan objects.  
Details of the exhibit can be found here: 
http://www.metmuseum.org/exhibitions/listings/2015/fashion-and-virtue
Of interest to lacemakers there is a 1557 copy of Le Pompe on display.  I 
counted 35 pieces of lace in the exhibit, but many are small samples on  the 
study cards. There is filet, cutwork, burato, needle lace and bobbin  lace. 
Notable among the bobbin laces are a gold lace around a collar, and a  
fascinating piece of bobbin lace that is a tour de force in technique that I  
dealt with in an article in the Bulletin of the International Old Lacers,  
Inc., winter 2007-8. 
There are actually more pieces of lace in this Prints exhibit, than  have 
simultaneously been on display in the museum for quite some time. The  last 
major lace display was in the 1950s and I don't know if there were that  many 
then. Our lace display several years ago in the Ratti Gallery had only  13 
pieces. My husband, who is not a lace enthusiast found the woodblock  carved 
by Durer of a design by da Vinci to be the most interesting thing in  the 
exhibit. According to the curator, it has not been outside of Germany  since 
the 18th century. 
I was lucky to be invited to the opening of the exhibit. After everyone  
else had left, I got the idea to make a video of it with my phone just as a  
memory aid to myself. It has occurred to me that posting this on youtube  
might help some of my fellow lacemakers to decide whether they  want to make 
the expensive and time consuming journey to the exhibit, which  is, after all, 
a Prints exhibit. Unfortunately, the video is of terrible  quality and 
really doesn't capture how interesting the exhibit is if you  carefully read 
the 
labels. About 4 minutes into the video, my husband who  after nearly two 
hours in an exhibit that everyone else had already left,  had been pushed 
beyond his endurance level, and who didn't realize I was  taping, gave me my 
coat check tag and announced he was going to the car.  This certainly gives 
this otherwise very poorly done video some pathos. When  he realized what I was 
doing, he didn't actually leave me. People who know  my husband can see him 
dodging behind a chasuble in the final seconds  of the film. Hope the film 
doesn't put anyone off, since it is an excellent  exhibit. Here is the link.
 
 
https://youtu.be/5sC20kXwa1Y 
Devon

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