PLEASE ACCEPT MY SINCERE APOLOGIES FOR THE PREVIOUS EMAIL WHICH APPEARED WITH
ONLY HALF OF MY REPLY.  I DID DELETE THE WHOLE OF JULIE'S LENGTHY EMAIL SO
DON'T KNOW WHAT HAPPENED THERE.  I'VE GOT A NEW LAPTOP AND AM STILL LEARNING
HOW TO HAVIGATE MY WAY AROUND WINDOWS 10!  I CAN ONLY APLOGISE ONCE AGAIN FOR
MY INCOMPETENCE.
----Original message----
>From : catherinebar...@btinternet.com
Date :
To : jsyz...@comcast.net, lace@arachne.com
Subject : Re: [lace] thread for Hollie Point
Hi Julie
Well as you've already discovered, choice of thread for any type/style of lace
is very personal and what suits one person is no necessarily the choice of
another. Brenda Paternoster is the accepted expert on threads and if you don't
already have a copy of her invaluable little book 'Threads for Lace', I would
recommend that you get hold of a copy as soon as you can. Threads are
continually going out of production and as I worked the sample in my book with
a No 120 Copley Marshall thread that was no longer available by the time my
book was published, I suggested either a Brok cotton 160 or Egyptian cotton
120 which would give a similar result. Bearing in mind that my book was first
published in 1993, I have recently been informed by several UK lace suppliers
that Brok cotton is no longer being manufactured, so Egyptian cotton No 120 is
the recommended thread for this particular sample.
Hollie point was usually only found in baby clothing i.e bonnets or 'vests'
which presumably is why it was worked in such fine thread, as a thicker gauge
of thread would have produced a larger sample, too big to incorporate into the
crown or back of a baby bonnet or shoulders of a 'vest'. Dates were also
frequently incorporated into these works and you will notice that my pattern
No 3 also includes the date 1991! I worked this piece of Hollie Point 25 years
ago and even then I needed magnification to work it. For this very reason, I
agree with Devon that whilst most forms of needlelace are portable, Hollie
Point is not one that I would like to carry in my handbag as one needs
absolute concentration to work this very fine exacting type of lace, enabling
the worker to continually count the number of stitches required to make the
pattern work correctly and probably magnification of some kind. I would
compare it more towards the working of Filet crochet lace where the pattern is
formed by voiding (holes), rather than cross stitch, where the pattern is
formed by changes in colour of threads.
Cotton is also the most practical thread to use, rather than silk, because we
all know that baby clothes need frequent washing (sometimes boiling), as they
are naturally messy little souls and of course Gutermann 100/3 silk thread or
any other silk thread, would not be a wise choice for Hollie Point. The
Freesia No 15 needles of course are no longer available either but I use a
Sharps No 10 or No 12 for the fine net background in my Point de Gaze, which
incidentally is worked using the same twisted buttonhole stitch as the Hollie
Point and I use both Brok and Egyptian cotton for this purpose.
Hollie Point is not quite as simple as it might first appear, which is why
pattern No 1 is just a diamond within a diamond, within a diamond and worked
in a No 20 crochet cotton, making it easy for the worker to see what she is
doing by using a thicker thread and also to hopefully understand the necessity
to count the stitches required to produce the holes/voids in the correct
position. I know that most workers new to Hollie Point think that its easy
because one just makes a hole to either the left or right of the hole in the
previous row, but if one doesn't count the number of stitches between these
holes/voids, it is easy to have made a mistake by not working sufficient
STITCHES, resulting in too few LOOPS in the following row! Not all patterns
are diamonds, some are flowers in pots etc and one doesn't simply work a hole
to either the left or right of the one above, but needs to know how to work
these more complicated patterns and one can't do that if one doesn't
understand that it is necessary to make TWO STICHES into a void to form a LOOP
for the following row. Having worked this sample all those years ago, I have
never had the desire to work another!
Happy stitching
Catherine
www.catherinebarley.com
Catherine Barley Needlelace
www.catherinebarley.com

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