The thread started off with Jeri saying, "We simply cannot afford to lose
so many of our very talented lace artists without replacements.  In memory
of Radmila, "
Doris has just said of Radmila, "She arranged for us to meet prominent
Czech lacemakers, including Milca Eremiasova, Marie Vankova and Luba
Krecji, and to see contemporary and traditional laces in many areas of the
country. Since most of us were novices in lacemaking, it was a truly a
memorable and wonderful experience."


I actually have a book of the work of Milca Eremiasova in front of me. Her
work is beautiful, inventive and changes in time. She
harnessed impressive technique to beautiful aesthetics. She has been a lace
artist for a long time.

Does anyone who admires her work buy it? If not, does she only make it for
her personal pleasure? How does she support herself while also having
such prodigious artistic output?

Malvary says "perhaps we don't buy the works because we just don't like
them. We can
appreciate the work that has gone in to them but wouldn't want them around
all the time"

Marianne says," I think especially those of us
who appreciate lace, want the stuff made out of fine threads, not rope
or anything like it.... I think if artists want to get paid, they
are going to have to consider their audience. "

Perhaps the problem is that artists have no choice but to consider their
audience and as of now the lace art buying public is only buying things
like lace made of rope because it is a novelty. We, the practitioning
cognoscenti, are not developing aesthetic criteria for lace art and
rewarding artists who make things out of fine threads with interesting
technique and themes by buying their work.

What would be our artistic criteria if we were considering buying lace art?
Personally, I like to see pieces which show mastery of technique, have
interesting uses of voided areas, and do things that can't be done as well
in any other technique.

What do we like? Whose work would we buy if we were buying it?

Devon

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