Elena asked what other students had thought of Pierre Fouche's recent
class at the Hunterdon Art Museum. I was in the class last Saturday and
Sunday, and I thought it was absolutely brilliant!

Now I'm getting my head more round the class and reviewing his lecture
notes, I feel that his explanation of the way the weavers work in Binche
as shapes increase and decrease was the clearest explanation I have ever
been given. I have not taken a lot of Binche classes, so other teachers
may be equally clear, but the few classes I have taken have never been
so understandable.

And this all came as an added extra after we had seen photos of his
wonderful work and integration of all sorts of different techniques.  We
listened spell-bound for several hours as he showed slide after slide of
his fascinating work.  Do visit his website if you are not familiar with
his work:  http://www.pierrefouche.net/

A huge vote of thanks goes to Devon Thein for organising this and
persuading the Hunterdon to host this class.

Sue

[email protected]

Elena Kanagy-Loux
<https://www.mail-archive.com/[email protected]&q=from:%22Elena+Kanag
y%5C-Loux%22>
Fri, 12 Apr 2019 04:03:47 -0700
<https://www.mail-archive.com/[email protected]&q=date:20190412>

Hello all,
.... Of course the reality is that there are

many, many ways to make lace lace, and as long as the final result is
beautiful
it doesn’t matter how you get there.

In fact, this was the principal lesson we learned recently in South African
lace artist Pierre Fouché’s workshop. He combines Flemish lace and point
ground
lace in his work and even uses macrame knots to secure his stitches. Of
course
his style is contemporary and not traditional, but the results are incredibly
beautiful. It was very liberating to learn about his methods.

I’d love to hear what some other students in Pierre’s class thought about
it
and how you think it will impact your own approach to lacemaking? What were
the
highlights for you? I’m sure the Arachnids who couldn’t attend would be
glad to
hear about it.

All the Best,
Elena

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