Sue Hartigan <[EMAIL PROTECTED]> writes:


Live death is

Live death is win-win

By Dan Bernstein
The Press-Enterprise

The very day Jerry Springer's producers agreed to delete fistfights
and chair-throwing from his highly rated, highbrow show, a sick man
blew his brains out on an LA freeway, and TV covered it live.

Just like that, we made the seamless, inevitable transition. Springer's
Chicago was just too small a burg for the new level of televised
news-o-tainment we have been building toward since the early '90s.
TV and its vast, voracious audience badly needed to ditch that Windy
City studio in favor of a signature, on-location landmark: a
curvaceous ribbon of SoCal freeway. What better stage for a
televised suicide? Jerry Springer seems almost silly now. Kidstuff.
Quaint.

Yes, TV has rocketed to a brave new level, though there is still a
ways to go. We're right on track for a televised homicide, and I'm
hoping we can get there before the new millennium. 

True enough, a guy single-handedly shutting down a SoCal freeway is
news. To Los Angeles TV stations, though, freeway action is not just
news. It's the best news there is. It launches the choppers. It holds
the
promise of an unchoreographed chase with guaranteed results. Ever
since the riots, the local TV stations have just gotten so good at live
hoverage. They weren't bargaining on a suicide, though. Some
stations actually pulled back. Loss of nerve, I guess. They'll do better
next time.

The thing we have to realize (and here I pause to acknowledge that
newspapers, too, have been purveyors of illustrated death) is that
televising live death is an absolute win-win proposition. The TV
stations win-win because they can telecast live death, then tell
viewers, "We've shown you some pretty graphic images. Now, we're
going to talk about whether we should have done it." TV stations can
thus get the unfiltered story (and the revenue-generating ratings) and
convey a sense of somber, responsible introspection. Win-win! 

Viewers win-win because they can watch the live death, then call the
TV stations and raise holy hell with them for putting it on the air.
Win-win! 

Hollywood win-wins because these real-life dramas tend to stir the
will-it-make-a-movie juices. And when TV airs live death, it gives
Hollywood a certain amount of cover from critics who say there's too
much violence in regularly scheduled programming. Win-win!

There are a few losers, I suppose, including kids who, their cartoons
pre-empted, get sucked into watching a guy blow his head off; and
the poor saps who get stranded on the freeways. By the time they get
home, it's merely taped death. But we must press on. We've been
preparing ourselves for live death for years.

We're bored with taped death. We see it on the news night after
night. It is sanitized, dull. So is the nightly slaughter on regularly
programmed TV, even if it is accompanied by luscious soundtracks.
So are the body counts on the big screen, even though movies have
unselfishly done as much as they could to get us ready for the next
frontier in TV viewing: live death.

A few cautionary notes: The transition from taped to live death might
not be that easy. It will be more like an acquired taste. Ideally, we'll
get a few more live suicides under our belts before we move onto to
the big daddy: the televised homicide.

But if we just remember to draw on our collective viewing
experience, to remember that we've put in a great deal of time
diminishing the value of life and blurring the line between pretend,
taped and actual death, we should be fine. 

And even though raising holy hell with the TV stations is just part of
the equation that makes live death so win-win, let's not go overboard
because, darn it, TV wouldn't show it if we didn't watch it. (That
doesn't mean we like to watch it. Why, we can hardly stand it.) 

Finally, to you history buffs who say we rung up a live homicide in '63
when Jack Ruby snuffed Lee Oswald, I say you may be technically
correct. But you'll recall there were no choppers in Dallas. And, if
memory serves, they only got it in black and white.

Our best days of live death are ahead of us. Ladies and gentlemen,
click your remotes.
-- 
Two rules in life:

1.  Don't tell people everything you know.
2.

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