Hi

I hope you don’t mind my announcing my new book Critical Theory and the Digital 
which explores the contemporary landscape related to computational technology 
and argues for an approach that revitalises critical theory in light of current 
questions over cryptography, critical technical practice and related notions of 
critical digital humanities and code work. I think that some of the subscribers 
to this list might find the arguments articulated in the book of some interest. 

http://www.bloomsbury.com/us/critical-theory-and-the-digital-9781441166395/

This Critical Theory and Contemporary Society volume offers an original 
analysis of the role of the digital in today's society. It rearticulates 
critical theory by engaging it with the challenges of the digital revolution to 
show how the digital is changing the ways in which we lead our politics, 
societies, economies, media, and even private lives. In particular, the work 
examines how the enlightenment values embedded within the culture and 
materiality of digital technology can be used to explain the changes that are 
occurring across society.

Critical Theory and the Digital draws from the critical concepts developed by 
critical theorists to demonstrate how the digital needs to be understood within 
a dialectic of potentially democratizing and totalizing technical power. By 
relating critical theory to aspects of a code-based digital world and the 
political economy that it leads to, the book introduces the importance of the 
digital code in the contemporary world to researchers in the field of politics, 
sociology, globalization and media studies.

Some blurb:

“'Adorno will not be your Facebook friend.' Instead of lamenting the cultural 
elitism of the Frankfurt School, David Berry reopens critical theory's 
conceptual toolbox with a renewed curiosity. These days the theorist is no 
longer a prophet who ponders the world divorced from the materiality of 
communication. It is not enough to merely explore the technosphere, there is an 
urgency to radically question digital technologies. In this age of conflict, 
the neoliberal consensus culture is taken to task by critical theory 
David-Berry-style. In line with the info-activism of Wikileaks and Snowden, 
Berry instructs us how to read the black box that dominates our everyday lives 
and helps us to develop a new vocabulary amidst all the crazes, from 
speculative realism to digital humanities.” –  Geert Lovink, Media Theorist, 
Amsterdam

“Berry's timely book engages with a broad range of topics that define our 
digital culture. It guides us to the political materiality of software culture 
with excellent insights. Importantly, this book updates critical theory for the 
digital age.” –  Dr Jussi Parikka, Winchester School of Art, author of What is 
Media Archaeology? (2012)

“In this lucid, learned and highly original book Berry confronts the nature of 
digital knowledge in society through the re-invigorated lens of Critical Theory 
asking how we can regain control of the knowledge structures embedded in the 
digital technologies that we increasingly rely upon in daily life.” –  Michael 
Bull, author of Sound Moves: iPod Culture and Urban Experience

“Critical Theory and the Digital offers an important new addition to critical 
theory that explores questions raised by the digital in light of the work of 
the Frankfurt school. Providing an accessible and critical appraisal of the 
digital world we live in today, the book argues that critical praxis must today 
be rethought in light of digital technologies and the affordances that are made 
available to state, corporate and civil society actors. The book offers both a 
theoretical and a political contribution: the former through its exploration of 
how the digital can be read, written, and hacked critically; the latter through 
its discussion of how the digital can be transformed by political action and 
the organisation of digital resistance.” –  Christian De Cock, University of 
Essex, UK

“Unlike many media studies scholars who refer to the Frankfurt School’s 
critique of the cultural industries only to show its inapplicability to the 
open source world of the digital age, David Berry accomplishes the remarkable 
feat of re-instating that critique for the new brave world that is afforded by 
digital technology. Easily moving between Heidegger, Adorno and Stiegler, Berry 
mobilizes a formidable array of theoretical resources in aid of what he calls 
‘iteracy’, an emerging competence in tracking the contexts in which ‘being 
digital’ is continually formed and re-formed. The result is a milestone in both 
critical theory and the digital humanities.” –  Steve Fuller, Auguste Comte 
Chair in Social Epistemology, Department of Sociology, University of Warwick, UK

“Bringing dialectical critique to digital culture, David Berry replenishes the 
legacy of the Frankfurt School in order to devise strategies to live within and 
against the real-time streams of computational capitalism. Fusing critical 
theory with the political economy of social media (think Facebook and Twitter), 
the surveillance paranoia of NSA, the wild party of Hacklabs, the secret 
autonomy of cryptography, and the accelerated economy of algorithmic trading, 
Berry registers the contours of the black box that defines digital labour and 
life.” –  Ned Rossiter, Institute for Culture and Society, University of 
Western Sydney, Australia

Best

David




---

Dr. David M. Berry
Reader

Silverstone 316

School of Media, Film and Music
University of Sussex,
Falmer, 
East Sussex. BN1 8PP

http://www.sussex.ac.uk/profiles/125219

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