https://bugs.freedesktop.org/show_bug.cgi?id=48461

--- Comment #4 from Bob Harvey <[email protected]> ---
OK, fair enough.

1.  Bleeding (or leading) tabs fill in between TOC text on the left and the
page numbers on the right.   In LO this is done with a character specified as a
fill character, but those are left justified the same way as the text.  That
means that, with a proportional font for the text, they don't line up down the
page: the dots on one row might fall in between the dots on the row above,
creating an unpleasant mash.   My proposal would have:
- A minimum white space between the text and the bleed
- A minimum white space between the bleed and the page number
- the fill characters would be right-justified and right-aligned so that they
form attractive vertical columns on the page.

The present system of tabs can be used to set the final white space between the
right hand end of the bleed and the page number, and a number of similar tabs
(according to how variable the text lengths are), the point where the bleed
starts on the left.


2.  The text and the index number can be made to stand out better if the fill
characters are greyed relative to the text and the index number.  

It will be easier to follow the bleed across the page if the level of greying
were to be different for successive lines.  This is similar to the green and
white stripes on old-fashioned fanfold "music" printouts.  For example, you
might provide the option to have four levels of greying (or transparency) for
the bleed fill characters and apply them sequentially, allowing the user to
select schemes like:
80%
60%
40%
20%
or alternatively
75%
25%
75%
25%
or even
90%
0%
90%
0%
to produce alternate rulings and blanks.

Some finessing might be applied according to heading levels, if possible: the
sequence of 4 might want to be reset for new chapters or new heading levels 1,
or the greying/transparency might be set by heading level instead of (or as
well as?) the sequential idea.  

In my mind the actual level of greying would be the multiplicative product of
the sequential and the heading level settings, such that setting either one to
all 100% would select the other technique instead, or they could be mixed by
someone creative.

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