"Thomas Morley" <[email protected]> writes:
> Hi David,
>
> could you provide a code-example which now works, as opposed to
> before? From description and reading the code it's not clear to me.
{ \tweak color #red <c' g'> }
maybe? That's the gist of the feature. Most of the rest is just making
sure that everything continues behaving consistently.
--
David Kastrup
---
** [issues:#5302] Let \tweak on event chords manipulate its elements**
**Status:** Started
**Created:** Sun Apr 08, 2018 06:50 PM UTC by David Kastrup
**Last Updated:** Mon Apr 09, 2018 09:20 PM UTC
**Owner:** David Kastrup
Let \tweak on event chords manipulate its elements
This makes \tweak on event chords actually get heeded and creates
reasonably predictable behavior by tweaking the rhythmic elements (but
not chord-wide articulations). It also passes tweaks transparently
through music wrapper expressions (like transpositions, context
changes and other).
To achieve this, it creates and uses a get-tweakable-music function
that will deliver a list of primary music expressions tweaks should be
applied to.
This function is also used in the definition of \once to decide when a
warning for misapplication of \once might be called for.
Also contains commits:
Refactor \once
Separates the warning action of \once and its effect on overrides in
order to reduce the number of surprises.
Let \single use \tweak internally
This is less efficient than directly manipulating the @samp{tweaks}
property but closer follows the semantics of @code{\tweak},
facilitating extensions to it.
http://codereview.appspot.com/344770043
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