- **labels**: --> Fixed_2_21_0
- **status**: Started --> Fixed
- **Patch**: push -->
- **Comment**:
~~~
ly: hel-arabic - comment out Sahnaz entry staging
author Hassan Elfatihi <[email protected]>
Sun, 25 Aug 2019 11:40:49 +0100 (11:40 +0100)
committer James Lowe <[email protected]>
Sat, 31 Aug 2019 17:41:35 +0100 (17:41 +0100)
commit 6b789abd4674bd160c88207c3bf86a13e28414f8
~~~
---
** [issues:#5550] ly: hel-arabic - comment out Sahnaz entry**
**Status:** Fixed
**Labels:** Fixed_2_21_0
**Created:** Sun Aug 25, 2019 10:51 AM UTC by pkx166h
**Last Updated:** Sat Aug 31, 2019 04:22 PM UTC
**Owner:** pkx166h
ly: hel-arabic - comment out Sahnaz entry
In oriental, Arabic music sometimes different makam names correspond
to a makam mode. We must keep only the real makams
After a thorough search, I noticed that the makam Sahnaz that is in D
is in fact a transposition of the makam alhizazkar which is in C.
e.g.
\transpose c' d' { \key c \alhizazkar c'4 db' e' f' g' ab' b' }
give's Sahnaz in D.
Sahnaz is therefore redundant. I could delete the entry but commenting
it out maybe a better, long term option for others who may expect to be
able to use 'Sahnaz' as a Makam name.
http://codereview.appspot.com/560950043
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