Crossposted this usage question to [EMAIL PROTECTED]
> Hi,
>
> A very recurrent problem, and a very frustrating one too,
> in early music, if that it sometimes happens that the
> composer wanted a quick sequence of notes, but doesn't
> want to mark them as grace notes. So, he just makes them
> 128th and puts a small sequel. Now this is really a
> frustrating problem to compensate using spacing rests (the
> music has to look exactly like the originals, so no
> tweaking of the note values!). So this is a feature I
> suggest :
>
> r4 b, e2^\mordent ~ |
> e4. \rap8{[d64 c b, a, g,]} \grace g, a,4^\mordent ~ [a,8. b,16] |
>
> The notes in beetween 'rap' shall then be calculated as if
> they were a big 8th note (rap*8*) but would 'look' like
> 64th notes.
You can get the desired result already today using (you want the
5 64:th notes to have the duration of 8 such notes)
\property Voice.TupletBracket \override #'tuplet-number-visibility = ##f
\property Voice.TupletBracket \override #'tuplet-bracket-visibility = ##f
\times 8/5{[d64 c b, a, g,]}
\property Voice.TupletBracket \revert #'tuplet-number-visibility
\property Voice.TupletBracket \revert #'tuplet-bracket-visibility
Of course, you could define a shorthand macro for the tuplet property
settings or set them in the \paper{} section for scores that don't
have any triplets.
/Mats
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