>>>>> "Han-Wen" == Han-Wen Nienhuys <[EMAIL PROTECTED]> writes:
Han-Wen> If you want tighter spacing, try fiddling with
Han-Wen> spacing-increment and shortest-duration-space in
Han-Wen> SpacingSpanner grob (i.e.
Han-Wen> \translator {
Han-Wen> \ScoreContext
Han-Wen> SpacingSpanner \override #'spacing-increment = ...
Han-Wen> }
Thanks, setting this to .8 seems to get my stuff back on one page.
And I think it still looks better than the 1.4 page.
There is another aspect to this; in 1.4, lilypond book was putting
8 lines on the page, and 1.5 is only putting 7.
>>>>> "Han-Wen" == Han-Wen Nienhuys <[EMAIL PROTECTED]> writes:
Han-Wen> One thing that both the new and old algorithm didn't take
Han-Wen> into account, is that your scores use notes shorter than
Han-Wen> 1/8 almost exclusively,
??? 16th century printers avoided notes shorter than 1/8, so I use
many fewer short notes than more modern music does.
Han-Wen> if you use
Han-Wen> \translator{
Han-Wen> \ScoreContext
Han-Wen> SpacingSpanner \override #'base-shortest-duration = #(make-moment 1 4)
Han-Wen> }
Han-Wen> }
Yes, that works, too. Probably better than guessing a number for
spacing-increment.
--
Laura (mailto:[EMAIL PROTECTED] , http://www.laymusic.org/ )
(617) 661-8097 fax: (801) 365-6574
233 Broadway, Cambridge, MA 02139
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