>>>>> "Laura" == Laura Conrad <[EMAIL PROTECTED]> writes:
Laura> Also, I notice that the new (1.7.27) lilypond files are
Laura> shifted to the right -- that is, the statement:
Laura> \lilypondfile[noquote]{propos-tenor.ly}
Laura> where propos-tenor is a 1.6.9 lilypond file,
I should have mentioned that it was run through convert-ly.
Laura> produces music that's placed on the page with reasonable
Laura> margins, but:
Laura> \lilypondfile[noquote]{serpe-tenor.ly}
Laura> where serpe-tenor.ly is a 1.7.27 lilypond file, has the
Laura> music running off the right edge of the page, although the
Laura> line length seems to be correct.
I have looked at the lily*.tex files for these two cases, and can't
see very much difference. Here are the lilypondpaper statements that
differ:
serpe.tex:\def\lilypondpapercm{10.000000}%
serpe.tex:\def\lilypondpaperin{25.400000}%
serpe.tex:\def\lilypondpapermm{1.000000}%
serpe.tex:\def\lilypondpaperpt{0.351460}%
serpe.tex:\def\lilypondpaperscmsetting{(lilyponddefs.ps) findlibfile {exch pop
//systemdict /run get exec} { /undefinedfilename signalerror } ifelse
propos.tex:\def\lilypondpaperscmsetting{(lilyponddefs.ps) findlibfile {exch pop
//systemdict /run get exec} { /undefinedfilename signalerror } ifelse
propos.tex:\def\lilypondpaperscmsetting{(lilyponddefs.ps) findlibfile {exch pop
//systemdict /run get exec} { /undefinedfilename signalerror } ifelse
I can email the actual .tex files to anyone who wants to see these in
context. Here are the lilypond files:
\version "1.7.24"
#(set! point-and-click line-location)
\header {
composer = "Claudin de Sermisy"
crossRefNumber = "1"
footnotes = "\\\\Original clef, C on third line"
origin = "Edited by Courtney S. Adams, A-R Editions, Inc. Madison, Wisconsin"
tagline = "Lily was here 1.5.71.lec2 -- automatically converted from ABC"
title = "[30] Changeons propos, c'est trop chant� d'amours
(transposed)\\\\Tenor"
}
wordsdefaultVA = \lyrics {
Chan- geons pro- pos, c'est trop chan- t� _ _ _ _ d'a- _ mours;
Ce sont cla- mours, chan- tons de la ser- _ pet- _ te.
Tous vi- gne- rons ont a _ _ el- le _ _ re- _ cours,
C'est le se- cours pour tail- ler la vi- _ gnet- _ te,
O ser- pil- let- te, O la ser- pil- lon net- _ _ te,
La vi- gnol- let- te est par toy mi- _ se- _ sus
Dont les bons vins _ _ _ _ _ _ _ _
tous _ _ les _ ans _ sont ys- _ _ _ _ _ sus,
Dont les bons vins, _ _ _ _ _ _ _ _
tous _ _ les _ ans _ sont ys- sus.
}
wordsdefaultVE = \lyrics {
Let's change our tune, E- nough sad songs _ _ _ _ _ of love;
all moans and howls; Let's sing of grow- _ _ _ ing grapes.
Those who grow grapes use _ a keen, in- ci- _ sive _ _ tool:
The prun- ing shears that shape the vine, _ _ _ _ _
Prun- ing the vine well, gives us good wine, _ _ _ _ _
>From one year to the next, we get good wine, we get~good wine.
O prune the vine, _ _ _ _ _ _ _ _ so we get good _ wine _ e- _ _ _ _ _ very year,
O prune the vine, _ _ _ _ _ _ _ _ so we get good _ wine _ e- very year.
}
voicedefault = \notes {
\property Staff.autoBeaming = ##f
\property Score.breakAlignOrder = #'(
instrument-name
left-edge
ambitus
span-bar
breathing-sign
staff-bar
clef
key-signature
time_signature
custos
)
\forgetAccidentals
\property Voice.NoteHead \override #'style = #'baroque
\property Staff.Custos \override #'style = #'mensural
\property Score.RehearsalMark \set #'extra-offset = #'( -3 . 0 )
\property Score.RehearsalMark \override #'visibility-lambda = #begin-of-line-invisible
\property Staff.automaticMelismata = ##f
\property Staff.midiInstrument = "oboe"
\property Score.defaultBarType="empty"
\transpose c' g {
% %gchordfont Helvetica 12 box
% %MIDI nobarlines
% %MIDI ratio 2 1
\property Staff.TimeSignature \override #'style = #'C
\time 2/2 \key g \dorian r1 r2 g'2 g'2 g'2 f'1. g'2 a'2.
g'4 f'2 e'2 f'2 g'2 d'2 g'1 fis'2 g'1 r1
r\breve r2 g'2 d''2 d''2 bes'1 r2 c''2 bes'2 g'2 a'2
bes'2. a'4 g'1 fis'!2 g'1 ^"\fbox{\large A}" r2 g'2 g'2
g'2
f'1. g'2 a'2. g'4 f'2 e'2 f'2 g'2 d'2 g'1 fis'!2
g'1 r1 r\breve r2 g'2 d''2 d''2 bes'1 r2 c''2
bes'2 g'2 a'2 bes'2. a'4 g'1 fis'!2 g'1 ^"\fbox{\large B}"
r2
d''2 d''2 d''2 bes'1 g'1 r2 d''2 d''2 d''2 bes'1
a'2 bes'2. a'4 g'2 f'\breve r2 f'2 g'2. a'4 bes'1
a'2 a'2 bes'2 c''2 d''2 c''1 bes'1 a'2 bes'1 ^"\fbox{\large
C}"
r1 r2 bes'2 a'2 g'2 f'4 d'4 e'4 f'4 g'4 f'4 e'4
d'4 e'1 f'2. g'4 a'2 bes'2. a'4 a'2. g'4 g'1
f'2 ees'4 d'4 g'2. e'!4 fis'!2 g'1 r1 r2 bes'2
a'2 g'2 f'4 d'4 e'4 f'4 g'4 f'4 e'4 d'4 e'1
f'2. g'4 a'2 bes'2. a'4 a'2. g'4 g'1 fis'!2 g'\breve
\bar "|."
}
}\score{
\notes <
\addlyrics
\context Staff="default"
{
\voicedefault
}
\context Lyrics="default"
<
{ \wordsdefaultVA }
{ \wordsdefaultVE }
>
>
\paper {
\translator{
\StaffContext
\consists Custos_engraver
}\translator{
\ScoreContext
SpacingSpanner \override #'base-shortest-duration = #(ly:make-moment 1 4)
}
\translator {
\VoiceContext
\consists Ambitus_engraver
}
}
\midi {\tempo 1 = 80}
}
serpe-tenor.ly
Description: Binary data
The previous problem is minor -- you would expect to have to fiddle with page breaks when you go to a new version, but being able to set margins via the geometry package is important. -- Laura (mailto:[EMAIL PROTECTED] , http://www.laymusic.org/ ) (617) 661-8097 fax: (801) 365-6574 233 Broadway, Cambridge, MA 02139
_______________________________________________ Lilypond-devel mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-devel
