That's expected behaviour and standard typesetting practice. On long
melismas, LilyPond will add a number of regularly spaced hyphens
to indicate that the melisma is still ongoing.
Apparently, the length of the melisma in your example is just at the
borderline
between getting one and two hyphens. I can't explain why the spacing changes
slightly with the pitch, but that seems to be the case here. If you use
\layout { ragged-rigth = ##t }
then the melisma will be short enough to only get a single hyphen.
/Mats
Alberto Sala wrote:
Hi everyone!
In the following fragment of music, Lilypond prints a double hyphen on the last
note of the slur.
\version "2.10.0"
MusicaUno = \relative c'' {
e8. e16 e4 d8. d16 d8 d
d4( c) b b
}
Parole = \lyricmode {
Ky -- ri -- e, Ky -- ri -- e e --
lei -- son, e
}
\score {
<<
\new Voice = musicone { \MusicaUno }
\new Lyrics \lyricsto musicone \Parole
>>
\layout { }
}
It's a strange behaviour, in fact it happens with last note of slur being "c"
"f" or "g" but not with "e" "a" or "b".
Thank you for your reply.
Alberto
_______________________________________________
lilypond-devel mailing list
[email protected]
http://lists.gnu.org/mailman/listinfo/lilypond-devel
--
=============================================
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=============================================
_______________________________________________
lilypond-devel mailing list
[email protected]
http://lists.gnu.org/mailman/listinfo/lilypond-devel
