Hi Neil,
The alignment's good when there's a time signature present, but the
stumbling block is how to align to note columns; I can't work out how
the metronome marks get attached to a paper column when there's no
breakable object nearby. :(
For the record, this is also a problem with RehearsalMark:
%%%%%%%%%%%%%%%%%%%%%%
\version "2.11.57"
\layout
{
\context
{
\Score
\override RehearsalMark #'break-align-symbols =
#'(time-signature)
\override RehearsalMark #'self-alignment-X = #left
}
}
twoMarks = \relative
{
\time 4/4 \mark "This mark is aligned (correctly) to the time
signature." c'2 c4 c \break
\mark "This one is aligned (undesirably) to the left of the system."
c2 c4 c
}
\score
{
\twoMarks
}
%%%%%%%%%%%%%%%%%%%%%%
It would be nice if the second-system RehearsalMark aligned with the
first note of the measure, as per Read's description.
Can you calculate the appropriate value(s) from the BarLine #'space-
alist, then attach the Metronome/Rehearsal Mark to the bar line
(invisible or not), and pad it from there? I mean, clearly Lilypond
knows where to put the first note of the measure, so it should be
determinable from the values of the #'space-alist, no?
Cheers,
Kieren.
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