Am Samstag, 23. Mai 2009 13:34:12 schrieb Graham Percival: > On Sat, May 23, 2009 at 09:37:19AM +0200, Xavier Scheuer wrote: > > PS : When I read this message again it looks a bit "offensive", this > > wasn't my goal. I really appreciate the work of every of you and I think > > lilypond is a extraordinary software making wonderful scores. So please > > forgive my rudeness, which is more a wish to see lilypond improved than > > an attack on people doing so a huge and great work. Thanks. > > Ditto. My goal is not to insult you into feeling bad; my goal is > to insult you into HELPING US FIX THINGS. Learn scheme.
Actually, this bug is not that easy. I was also quite annoyed by this a while ago, and started looking at it, but I ran into dead ends. This is one of the things that makes my orchestral scores not look quite as professional as they could be. Otherwise I would have submitted a patch already, but the problem is simply over my head. BTW, there is an even worse aspect to this bug: If there are multimeasure rests following the tempo mark, the mark is even further to the right. This is only the case if a clef/time/key signature happens at that time, too. Example file is attached. Cheers, Reinhold -- ------------------------------------------------------------------ Reinhold Kainhofer, [email protected], http://reinhold.kainhofer.com/ * Financial & Actuarial Math., Vienna Univ. of Technology, Austria * http://www.fam.tuwien.ac.at/, DVR: 0005886 * LilyPond, Music typesetting, http://www.lilypond.org
\relative c'' {
\tempo "test1"
R1*5 |
\tempo "test2"
R1*5 |\break
\tempo "test3"
c4 c c c |
\time 2/2 \tempo "test1"
R1*5 |
\tempo "test2"
c4 c c c |\break
\compressFullBarRests
\tempo "test"
R1*5 |
\tempo "blah"
c4 c c c |
\time 2/2 \tempo "test"
R1*5 |
\tempo "blah"
c4 c c c |
}
a.pdf
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