2009/8/14 Joseph Wakeling <[email protected]>:
> I'd prefer not to do that for semantic reasons. In my conception of
> arrow-notated quarter-tones, C-quarter-sharp is enharmonically, but not
> semantically, the same as C-sharp-quarter-flat (just as D# is
> enharmonically but not semantically the same as Eb).
What I think would be nice, and fully generic, is for the
accidental-assigning function to know the original name of the pitch
it's dealing with. Then you could check if the name ends in "up" or
"down". I don't know how to do this.
Otherwise, if you want the semantics to differ, you'll have to explain
what the difference is.
Graham
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