Graham Percival schrieb:
Thanks, applied.
That said, are you certain that you didn't screw up the \\relative
line? The notes look awfully low, but I'm not a guitarist so I could
be wrong.
No, the low notes are correct - the palm mute technique works
best on the lowest strings where you can fine-tune the sound
of the muted strings.
(Hehe, with a seven-string axe tuned to drop a we even got
seven halftone steps lower - and we don't smile on MTV :-)
Also, we generally try to keep the output down to one line. Does the
second bar really add anything to the example? Could you condense the
example down to 3 bars instead of 4?
Sorry, I compiled the stuff separately first and the output had just
one line, and I didn't check the notation output properly.
I'm not too fussed since this is just in NR 2.4 so only guitarists
will be looking at it, but you might want to double-check these
things.
Thanks for your remarks!
Marc
>From fa06a8f82993386eca0c5c3b72e11c7c914beb70 Mon Sep 17 00:00:00 2001
From: Marc Hohl <[email protected]>
Date: Thu, 8 Apr 2010 17:02:16 +0200
Subject: [PATCH] Doc: shortened palm mute example
---
Documentation/notation/fretted-strings.itely | 5 +----
1 files changed, 1 insertions(+), 4 deletions(-)
diff --git a/Documentation/notation/fretted-strings.itely
b/Documentation/notation/fretted-strings.itely
index b89790f..601700d 100644
--- a/Documentation/notation/fretted-strings.itely
+++ b/Documentation/notation/fretted-strings.itely
@@ -1514,13 +1514,10 @@ triangle shape.
\clef "G_8"
\palmMuteOn
e8^\markup { \musicglyph #"noteheads.u2do" = palm mute }
- e e
+ < e b' e > e
\palmMuteOff
e e \palmMute e e e |
e8 \palmMute { e e e } e e e e |
- \palmMuteOn
- < e b' e >8 e e e < e b' e >2
- \palmMuteOff |
< \palmMute e b' e >8 \palmMute { e e e } < \palmMute e b' e >2
}
}
--
1.5.4.3
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