On Mon, Sep 12, 2011 at 04:18:38PM +0200, David Kastrup wrote: > Graham Percival <gra...@percival-music.ca> writes: > > > I'm reluctant to add the suggestion of \relative f' { to the > > tutorial since all the examples are variants of c. > > Personally, I don't think \relative f' is all that interesting. The > really idiomatic phrase is \relative f without octave indicators.
oh, ok. > quotes @code{''} and not one double quote @code{"}@tie{}! > @c " - keeps quotes in order for context-sensitive editor -td > > +If you carefully consider all the rules above and remember that the > +octave of absolute pitches also is specified disregarding any > +accidentals, one rather interesting consequence is that the first note > +in @code{@w{\relative f}} music is interpreted just the same as in > +absolute pitch mode. > + > @subheading Durations (rhythms) Sounds great for notation/pitches.itely. Feel free to push it to pitches.itely directly. But this is *not* appropriate for the tutorial. I will be very unhappy if you put it there. When users are still coming to grips with two single quotes '' vs a double quote ", they're not going to be carefully considering the specifications of disregarding interesting consequences carefully. > and I don't see the point in hiding this information from beginners out > of fear that they might like it. Trust me. The tutorial should keep words to 3 syllables or less if at all possible. Besides, we already get enough crap for having a tutorial that's "too complicated" (see recent emails on -user). There's an art to documentation, and a lot of that art is in removing anything that doesn't need to be there. The tutorial is already 18 pages. Cheers, - Graham _______________________________________________ lilypond-devel mailing list lilypond-devel@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-devel