On Thu, Sep 13, 2012 at 07:18:50AM +0200, David Kastrup wrote:
> Graham Percival <[email protected]> writes:
>
> > Here's a few imaginary ways of writing the same music:
> > \at 4 \< \at 1 \! c'1
> > c'1 y4 y\< y z\!
> > c'1-<< y4 y\< y z\! >>
> > c'1-{ s4 s\< s2 z\! }
> >
> > Out of these, I'm most comfortable with the last one.
>
> c-d-.
>
> Which one gets the accent?
Neither; lilypond exits with an error because there's no explicit
-{} and because there's a pitch within the "extra timed events"
portion. The idea is to line up cresc/dynamics/etc that occur
within a note (or chord), not to replace the current method of
writing multiple voices.
- Graham
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