2001-09-20 15:25:08+0200, Joerg Anders <[EMAIL PROTECTED]> ->
> > It seems to work relatively good. It output stem directions even though
> > I told it not to (easy to remove).
>
> ... this is a misunderstanding! The checkbox is named
> "keep stem dir.", not "omit stem statements"! It is no
> good idea to omit all stem statements in LilyPond.
> This can produce a chaos.
Well, maybe.
> For example: Try to delete the "\stemUp" in the following
> example and see what happens...
>
> \include "paper20.ly"
> \score {
> \notes\relative c' {
> \clef violin
> \stemUp < e2 d' > r
> \bar "|."
> }
>
> }
This is not because of the \stem*, it's because lilypond creates two
voice contexts if there is no voice context and it's finding a parallell
composition.
Since the noteedit lilypond export creates a separate voice context for
each voice, this doesn't happen.
As I said, it's easy to remove. I prefer to keep \stem* directives
outside the voice, this makes combining parts much easier, if i want to
combine soprano and alto on one staff on the full score, and separate
them on my special choir score for instance.
Regards,
Martin
--
[ http://www.dtek.chalmers.se/~d95mback/ ] [ PGP: 0x453504F1 ] [ UIN: 4439498 ]
Opinions expressed above are mine, and not those of my future employees.
SIGBORE: Signature boring error, core dumped
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