damn, i'd forget my head if it weren't screwed on...
here's the file. :)
greetings,
simon.
On Thu, 2002-07-04 at 11:05, Simon Bailey wrote:
> hi,
>
> i'm using lilypond-1.5.58, and am slowly working on arranging a piece
> for brass and wind orchestra.
>
> in the attached ly file, up until bar 25, the two tenorhorns are playing
> more or less the same melody, it just deviates in a few bars, where the
> 2nd horn drops below the 1st (bars 7 - 10, 17-18 & 25-26). the melody
> has a quarter followed by two eigths. in the aforementioned bars,
> lilypond does not combine the eigths as one would expect, but prints
> both sets, thus making it look like two sixteenth chords...
>
> another thing, both voices have staccato and tenuto marks on them (in
> this first section). lily prints both sets of markings. is this
> intentional, is there a workaround? has this already been corrected in
> the latest release?
>
> it's not desperate at the moment - it will be a while until i'm ready to
> create the full score.
>
> thanks for any help,
> simon.
> --
> Confucius say, man who live in glass house shower in basement.
--
Confucius say, man who live in glass house shower in basement.
% Beethoven's 7th Symphony
% Arrangement for Wind Orchestra
% 1. & 2. Tenorhorn
\include "deutsch.ly"
stemDown = \property Voice.Stem \override #'direction = #-1
stemUp = \property Voice.Stem \override #'direction = #1
stemRevert = \property Voice.Stem \revert #'direction
tenorI = \notes \relative c' {
\time 2/4
\key c \major
R2 * 2 % 1 - 2
\repeat unfold 2 { % 3 - 6
e4 e8-. e-. e4-- e--
}
e4 e8-. fis-. g4-- g--
g4 g8-. g-. g4 r % 9 - 10
\repeat unfold 2 { % 11 - 26
g4 g8-. a-. h4-- h--
fis4 fis8-. gis-. a4-- a--
e4 e8-. e-. e4-- e--
e4 fis8-. gis-. a4 r
}
\repeat unfold 2 { % 27 - 30
e'4 e8-. e-. e4-- e--
}
e4 e8-. fis-. g4-- g--
g4 g8-. g-. g4 r
\repeat unfold 2 { % 35 - 50
g4 g8-. a-. h4-- h--
fis4 fis8-. gis-. a4-- a--
e4 e8-. e-. e4-- e--
e4 fis8-. gis-. a4 r
}
c,2 ( ) h2 h16 ( c d4 c16 ) h h8 c c4
c4. c16 d dis8 ( ) e e-. e-. % 55 - 56
d16 ( e f4 e16 ) d d8 ( ) e e4
\repeat unfold 2 { % 59 - 74
e2 ( ) dis2 d8 ( h16 cis d8 e16 ) d d8 ( ) cis c4
c2 ( h4 ) c h16 ( c d4 c16 ) h
}
\alternative {
{ a8 a16 ( ) h c8-. c16 ( ) d } % 66
{ a4 r } % 74
}
}
tenorII = \notes \relative c' {
\time 2/4
\key c \major
R2 * 2 % 1 - 2
\repeat unfold 2 { % 3 - 6
e4 e8-. e-. e4-- e--
}
e4 e8-. d-. e4-- e--
d4 c8-. d-. e4 r % 9 - 10
\repeat unfold 2 { % 11 - 26
g4 g8-. a-. h4-- h--
fis4 fis8-. gis-. a4-- a--
e4 e8-. e-. e4-- e--
e4 e8-. e-. e4 r
}
c'2 ( ) h2 h16 ( c d4 c16 ) h h8 c c4 % 27 - 30
c4. c16 d dis8 ( ) e e-. e-.
d16 ( e f4 e16 ) d d8 ( ) e e4
\repeat unfold 2 { % 35 - 50
e2 ( ) dis2 d8 ( h16 cis d8 e16 ) d d8 ( ) cis c4
c2 ( h4 ) c h16 ( c d4 c16 ) h
}
\alternative {
{ a8 a16 ( ) h c8-. c16 ( ) d } % 42
{ a4 r } % 50
}
}
\score {
\context Staff <
\property Score.skipBars = ##t
\context Voice = tenor \partcombine Voice
\context Thread = tenorI {
\tenorI
}
\context Thread = tenorII {
\tenorII
}
>
}
