I've just worked through this myself for SATB + Piano. SA on one staff, TB on the second, and each hand of the piano having 2 voices. The \voiceOne, \voiceTwo work well ... remember there is also a \oneVoice to neutralize the effects, which is especially useful in the piano. I also ended up with liberal use of space, not rests, in \voiceTwo to keep the score from being cluttered.
One thing to remember on all of these 'adjusters' like \voiceOne + \oneVoice and \stemUp + \stemBoth is they need to be balanced ... a \stemUp, \stemDown, \stemBoth seems to leave \stemUp in control at the end. (I had forgotten that, hence the reminder of the obvious.) /Hans Joerg Anders wrote: > On Thu, 20 Feb 2003, Mats Bengtsson wrote: > > > I don't really see what your problem is. > > ... Thank you! Very simple: I underestimated the > \VoiceOne, \VoiceTwo ... statements. > > -- > J.Anders, Chemnitz, GERMANY ([EMAIL PROTECTED]) > > _______________________________________________ > Lilypond-user mailing list > [EMAIL PROTECTED] > http://mail.gnu.org/mailman/listinfo/lilypond-user _______________________________________________ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
