The whole file is rather a lot to read, so here is a file containing
four brass parts only which exhibits the same behavior.
One more thing I came across since my last email -- when the first part
has a solo and the other three parts have multi-measure rests, the
combined staff prints a rest on top of (sometimes literally on top of!)
the part that is playing. (bars 25-31).
It could simply be that I'm grossly lagging in version number -- I'm
using a 1.3 build (long story...)
thanks!
-- Niki
On Friday 20 June 2003 23:44, Jeremy wrote:
> NP> One thing I do notice is that I get multiple dynamic markings on
> the NP> staff with the combined voices. But since I'm the only one who
> will see NP> the score, I can live with that.
>
> Would you care to send the .ly source file as an attachment to this
> list?
>
> Jeremy
% "So What" by Miles Davis
% arranged by Niki
% this attempts to be a "reduced instrumentation" arrangement:
% minimum of three saxes and four brass, but in any combination
% of alto, tenor, bari, tpt, tbone, as long as the first part is
% played by the highest-sounding instrument, etc.
%
\header {
title = "So What";
composer = "by Miles Davis";
arranger = "arranged by Niki";
}
\include "english.ly"
papersize = "letter"
\include "paper20.ly"
BrassOneConcertPitch = \context Voice \notes
\relative c'' {
\key c \major;
\time 4/4;
\partial 2..;
r8 r4 r2 |
r2 b4.-mp a8-. | r1 | % Dm7
r2 b4. a8-. | r1 |
r2 b4. a8-. | r1 |
r2 b4. a8-. | r1 |
r2 c4. bf8-. | r1 | % Efm7
r2 c4. bf8-. | r1 |
r2 c4. bf8-. | r1 |
r2 c4. bf8-. | r1 |
r2 b4. a8-. | r1 | % Dm7
r2 b4. a8-. | r1 |
r2 b4. a8-. | r1 |
r2 b4. a8-. | r2 r8 a-mf a a | % pickups to brass melody section
r1 | r2 r8 a g f | % brass melody begins here
g8 a r d, ~ d4 r4 | r2 r8 d d f |
r8 d r g r d r a' | r d, r b' ~ b c b a |
g8-- a-. r d, ~ d4. r8 | r2 r8 d' d d |
r1 | r2 r8 d d f |
r8 d r8 c r8 d r4 | r2 r8 d, d f ~ |
f4. g8 ~ g4. a8 ~ | a8 b c d ~ d d e f ~ |
f8 e d c b a r d ~ | d2 r2 |
% saxes take over here (to be written)
}
BrassOneBf = \notes \transpose d' \BrassOneConcertPitch
BrassTwoConcertPitch = \context Voice \notes
\relative g' {
\key c \major;
\time 4/4;
\partial 2..;
r8 r4 r2 |
r2 g4.-mp f8-. | r1 | % Dm7
r2 g4. f8-. | r1 |
r2 g4. f8-. | r1 |
r2 g4. f8-. | r1 |
r2 af4. gf8-. | r1 | % Efm7
r2 af4. gf8-. | r1 |
r2 af4. gf8-. | r1 |
r2 af4. gf8-. | r1 |
r2 g4. f8-. | r1 | % Dm7
r2 g4. f8-. | r1 |
r2 g4. f8-. | r1 |
r2 g4. f8-. | r1 | % pickups to brass melody start here
% lower parts rest during first part solo
R1*7 | r2 r8 a a a |
% just end here until voicings can be worked out
}
BrassTwoBf = \notes \transpose d' \BrassTwoConcertPitch
BrassThreeConcertPitch = \context Voice \notes
\relative c' {
\key c \major;
\time 4/4;
\partial 2..;
r8 r4 r2 |
r2 d4.-mp c8-. | r1 | % Dm7
r2 d4. c8-. | r1 |
r2 d4. c8-. | r1 |
r2 d4. c8-. | r1 |
r2 ef4. df8-. | r1 | % Efm7
r2 ef4. df8-. | r1 |
r2 ef4. df8-. | r1 |
r2 ef4. df8-. | r1 |
r2 d4. c8-. | r1 | % Dm7
r2 d4. c8-. | r1 |
r2 d4. c8-. | r1 |
r2 d4. c8-. | r1 | % first part has pickups to melody here
R1*7 | r2 r8 f f f |
% fill in more voicings later
}
BrassThreeBf = \notes \transpose d' \BrassThreeConcertPitch
% null transpose for the trombone
BrassThreeTBone = \notes \transpose c' \BrassThreeConcertPitch
BrassFourConcertPitch = \context Voice \notes
\relative c {
\key c \major;
\time 4/4;
\partial 2..;
r8 r4 r2 |
r2 e4.-mp d8-. | r1 | % Dm7
r2 e4. d8-. | r1 |
r2 e4. d8-. | r1 |
r2 e4. d8-. | r1 |
r2 f4. ef8-. | r1 | % Efm7
r2 f4. ef8-. | r1 |
r2 f4. ef8-. | r1 |
r2 f4. ef8-. | r1 |
r2 e4. d8-. | r1 | % Dm7
r2 e4. d8-. | r1 |
r2 e4. d8-. | r1 |
r2 e4. d8-. | r1 | % first part has pickups to melody section here
R1*7 | r2 r8 d' d d |
% stop here for now
}
% null transpose for tbone
BrassFourTBone = \notes \transpose c' \BrassFourConcertPitch
%%% "condensed" score showing all parts for each section on one staff
\score {
\context Staff="all_brass_staff" {
\property Staff.instrument = "Brass"
\property Staff.instr = "Brass"
\property Staff.midiInstrument = "trumpet"
\clef treble;
% \brass
<
\BrassOneConcertPitch
\BrassTwoConcertPitch
\BrassThreeConcertPitch
\BrassFourConcertPitch
>
}
\paper { linewidth = \hsize - 2.0 \in;
papersize = "letter";
}
% \midi { \tempo 4 = 120; }
}
%% "score" blocks for individual parts
% how will we get page breaks and titling for each part?
\score {
\context Staff="brass1_bf_staff" {
\property Staff.midiInstrument = "trumpet"
\clef treble;
\property Staff.transposing = #-2
\BrassOneBf
}
\paper { linewidth = \hsize - 2.0 \in;
papersize = "letter";
}
}
\score {
\context Staff="brass2_bf_staff" {
\property Staff.midiInstrument = "trumpet"
\clef treble;
\property Staff.transposing = #-2
\BrassTwoBf
}
\paper { linewidth = \hsize - 2.0 \in;
papersize = "letter";
}
}
\score {
\context Staff="brass3_tbone_staff" {
\property Staff.midiInstrument = "trombone"
\clef bass;
\property Staff.transposing = #0
\BrassThreeTBone
}
\paper { linewidth = \hsize - 2.0 \in;
papersize = "letter";
}
}
\score {
\context Staff="brass4_tbone_staff" {
\property Staff.midiInstrument = "trombone"
\clef bass;
\property Staff.transposing = #0
\BrassFourTBone
}
\paper { linewidth = \hsize - 2.0 \in;
papersize = "letter";
}
}
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