[EMAIL PROTECTED] writes:
> quarter-tone accidentals, on the other hand, have a long history of
> common usage and are well-entrenched in the current notational lexicon
> available to composers AND readable by performers. in my many years of
> work as a performer in the field of avant-garde concert music, i have
> run into quarter-tone notation MANY times, but can't recall a single
> instance of other microtonal divisions in printed music. i DO know folks
> who work in the microtonal area, but the performance and
> instrument-building skills required generally limit those activities to
> a few folks.
>
> bottom line: performers and composers generally know about and are
> comfortable with quarter-tones, so they should be included.
See 1.9 CVS:
* Quarter tones are now supported. They are entered by suffixing
`ih' for a half-sharp and `eh' for a half-flat. Hence, the
following is an ascending list of pitches:
ceses ceseh ces ceh c cih cis cisih cisis
--
Han-Wen Nienhuys | [EMAIL PROTECTED] | http://www.xs4all.nl/~hanwen
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