The question is what is the correct typesetting practice. As a musician, how can I know if the ottava applies only to the upper voice or to the full stave (how would you notate it if it only applied to the lower voice for some weird reason)?
Actually, this feature is described in the chapter on "Staff Notation" in the reference manual, so the documentation does actually say (at least implicitly) that the octaviation applies to the full stave.
/Mats
GoochRules! wrote:
Greetings,
I am attempting to mix ottava brackets and polyphony. I have to following fragment:
<< { \skip 2. #(set-octavation 1) \acciaccatura cis' cis''4 \acciaccatura fis fis'2 #(set-octavation 0) } \\ { < fis, cis, >2.~ < fis, cis, >2. } >>
I am finding that the lower (second) voice is being subjected to the ottava as well as the upper voice. I only want the upper voice to be affected. I have found no reference to this in the documentation (PDF for version 2.0.2).
Is this a bug in version 2.0.1? Has it been fixed in a later version?
--Matthew Peltzer
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-- ============================================= Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe =============================================
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