Hi, Simon:Thank you, but I did not see the attachment.Immanuel,Ming
On Thursday, March 26, 2015 1:30 PM, Simon Albrecht
<[email protected]> wrote:
Hello Ming,
here’s the best I could come up with. I remember that in hand-engraved scores,
this is resolved by shifting the two notes further apart and placing the dots
close to each one, which I now mimicked, albeit very poorly: the dot placement
looks very odd now. Perhaps you’ll want to fiddle with extra-offset more,
adjusting also the Y value (which I didn’t; you may also make the music
function take it as another argument – see the Extending Manual on
explanations), so it will look good.
HTH, Simon
Am 26.03.2015 um 16:26 schrieb MING TSANG:
Adnrew, Sorry, I choose the wrong word here. I was hoping that the dot will
be displayed closer to the notehead. e.g. 1st bar of bass staff, the dot of
quarter note be displayed closer to quarter note , now it line up with the half
note. This is more evident on bar3. Immanuel, Ming
On Thursday, March 26, 2015 9:13 AM, Andrew Bernard
<[email protected]> wrote:
#yiv9329393738 body{font-family:Lucida Sans Unicode, Arial;font-size:15px;}
I am not convinced the dots look awful. It’s perfectly legible to me - just
highly dotted notation. What do you mean by awful, exactly?
Andrew
On 26 March 2015 at 10:29:06, MING TSANG ([email protected]) wrote:
Lilyponders:
how to solve the dots after notehead and tie collides. 1. tie collide with
notehead -- treble staff sample 2. place of dots look awful and not clear -
refer to bass staff
_______________________________________________
lilypond-user mailing list
[email protected]
https://lists.gnu.org/mailman/listinfo/lilypond-user
_______________________________________________
lilypond-user mailing list
[email protected]
https://lists.gnu.org/mailman/listinfo/lilypond-user
