2) In another song the coda was separated from the main score. The structure of the song is like this
music repeat x2 music skip to coda
The problem is that the note that is on the barline which skips is tied so the coda begins with the end of a tied note. I played around with \skips but nothing looked promising. Does anyone have any suggestions?
I'm not sure exactly what you mean, but you may have to fake the desired layout by using ties to and from an unvisible note, respectively:
Before the skip: g2*1/2 ~ \hideNotes g2*1/2 \unHideNotes
At the beginning of the Coda: \hideNotes g2*1/2 ~ \unHideNotes g2*1/2
The *1/2 is a trick to get the correct rhythm, the note is printed using the original duration, 2 in this case, but internally, LilyPond thinks it only occupies half the duration.
The same trick is useful if you have a tie to the second alternative ending of a repeat.
/Mats
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