Thanks Harm,
I do think it would be cool -- i must say i only played a bit with it and
yes in little examples :)
>Apart from the most simple cases and only in c-major. ;)
actually I got it to go in all keys :) a hack i do admit .. but it does the
job.
anyway that as I said would be a great feature!
In other keys -- other then c-major --- you just have to find the I
%%%%%%%%% cut
\version "2.18.2"
diatonicScale = { cis d e fis gis a b }
chrd = \relative c'' { <a cis e> <gis b d> <fis a cis>2
}
multipleModalTransposes =
#(define-music-function (parser location m music)(ly:music? ly:music?)
(music-clone m
'elements
(map (lambda (pitch)
(ly:music-property
#{ \modalTranspose c $pitch $diatonicScale \context Bottom $music
#}
'element))
(event-chord-pitches m))))
multipleTransposes =
#(define-music-function (parser location m music)(ly:music? ly:music?)
(music-clone m
'elements
(map (lambda (pitch)
(ly:music-property #{ \transpose c $pitch $music #} 'element))
(event-chord-pitches m))))
%% more concise:
#(define (note-name->roman-number-markup pitch lowercase?)
"Return roman-number-string for @var{pitch}."
(vector-ref #("I" "ii" "iii" "IV" "V" "vi" "vii") (ly:pitch-notename
pitch)))
\score {
\new PianoStaff
<<
\new ChordNames
\multipleTransposes
{ c }
\multipleModalTransposes
\diatonicScale \chordmode { \chrd }
\new Staff
\multipleTransposes
{ c }
{
\key a \major
\multipleModalTransposes
\diatonicScale \chrd
\break
\bar "||"
}
\new ChordNames
\with {
minorChordModifier = ""
%chordNameLowercaseMinor = ##t
majorSevenSymbol = "7+" %#whiteTriangleMarkup
chordRootNamer = #note-name->roman-number-markup
\remove "Staff_performer"
}
\repeat unfold 1
\multipleModalTransposes \diatonicScale \chordmode { \transpose c e {\chrd}
}
\new Staff {
\clef bass
\multipleTransposes
{ c }
{
\key a \major
\multipleModalTransposes \diatonicScale \transpose c c,, \chrd
}
\bar "|."
}
>>
\layout {
\context {
\Staff
explicitKeySignatureVisibility = #end-of-line-invisible
printKeyCancellation = ##f
}
}
\midi { }
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\version "2.18.2"
diatonicScale = { cis d e fis g a b }
chrd = \relative c' { <d fis a>4 d'8 cis <g b d>4 <a cis e>
}
multipleModalTransposes =
#(define-music-function (parser location m music)(ly:music? ly:music?)
(music-clone m
'elements
(map (lambda (pitch)
(ly:music-property
#{ \modalTranspose c $pitch $diatonicScale \context Bottom $music
#}
'element))
(event-chord-pitches m))))
multipleTransposes =
#(define-music-function (parser location m music)(ly:music? ly:music?)
(music-clone m
'elements
(map (lambda (pitch)
(ly:music-property #{ \transpose c $pitch $music #} 'element))
(event-chord-pitches m))))
%% more concise:
#(define (note-name->roman-number-markup pitch lowercase?)
"Return roman-number-string for @var{pitch}."
(vector-ref #("I" "ii" "iii" "IV" "V" "vi" "vii") (ly:pitch-notename
pitch)))
\score {
\new PianoStaff
<<
\new ChordNames
\multipleTransposes
{ c }
\multipleModalTransposes
\diatonicScale \chordmode { \chrd }
\new Staff
\multipleTransposes
{ c }
{
\key d \major
\multipleModalTransposes
\diatonicScale \chrd
\break
\bar "||"
}
\new ChordNames
\with {
minorChordModifier = ""
%chordNameLowercaseMinor = ##t
majorSevenSymbol = "7+" %#whiteTriangleMarkup
chordRootNamer = #note-name->roman-number-markup
\remove "Staff_performer"
}
\repeat unfold 1
\multipleModalTransposes \diatonicScale \chordmode { \transpose c b {\chrd}
}
\new Staff {
\clef bass
\multipleTransposes
{ c }
{
\key d \major
\multipleModalTransposes \diatonicScale \transpose c c,, \chrd
}
\bar "|."
}
>>
\layout {
\context {
\Staff
explicitKeySignatureVisibility = #end-of-line-invisible
printKeyCancellation = ##f
}
}
\midi { }
}
%%%%%%%%%%%%%%%%%%
good luck with the patch
Thanks
Stephen
On Wed, Apr 22, 2015 at 5:59 PM, Thomas Morley <[email protected]>
wrote:
> 2015-04-22 19:24 GMT+02:00 Stephen MacNeil <[email protected]>:
> > Harm , Thomas Morley and others
> > I like to follow the discussions even if I don't understand/need
> something
> > because I usually learn a lot and sometimes even adapt some ideas or code
> > into something I can use later.
> >
> > In this thread I was amazed that the scheme created could interpret the
> > chords!!!
>
> Well, it does not!
> Apart from the most simple cases and only in c-major. ;)
>
> It may be doable to extend the ChordRootNamer to cover more keys and
> let our chord-naming-engine do some additional work.
> But it will likely be restricted to the simpelst use cases (as others
> mentioned already)
>
> > I tend to analyze music (almost daily). Usually I print it out and
> > go over it and mark in what I need. When I saw this i instantly tried it
> on
> > some of my scores and was amazed.
> >
> > Now where I was lost was -
> > 1. is it possible to make it read polyphony? <<\top \\ \bottom>> without
> re
> > writing it as a chord?
> > 2. the ability to add it to any score as needed for analysis
> > 3. to only transpose when needed to specific keys?
> > 4. use not only pianoStaff but whatever the score uses
>
> A summarizing answer:
> For most questioned I'd answer: I don't know or I doubt
> At least I don't have the time to work on it.
>
> There's a patch of mine needing some rework and I didn't add a single
> line of code to it for about 2 weeks ...
>
> >
> > Thanks
> >
> > Stephen
> >
> > And I really was impressed
> > and liked how it listed the chord and numeral
>
>
> Cheers,
> Harm
>
_______________________________________________
lilypond-user mailing list
[email protected]
https://lists.gnu.org/mailman/listinfo/lilypond-user
