Hello David,
Maybe this snippet can help you :
http://lsr.di.unimi.it/LSR/Item?id=562
<http://lsr.di.unimi.it/LSR/Item?id=562>
JM
> Le 26 mai 2015 à 08:53, David G <castle.cub...@gmail.com> a écrit :
>
> Hello all,
>
> Does anyone have any tips for achieving the effect in the attached image?
>
> <image.png>
>
> Effectively I want to make it automatically parallel to the glissando - there
> are two or three in the piece I'm engraving.
>
> Firstly I was hoping to be able to create a second voice of glissandos and
> override its style to be a hairpin, but that doesn't appear to be an option.
>
> Secondly I tried to change the glissando style to a normal single line for a
> glissando, and then set the notes such that it looked like a hairpin (i.e. in
> this instance - treble clef - C and A both glissandoing to something like a
> low B) which is slightly fiddly but should at least remain roughly correct
> regardless of layout changes/end of line etc., but doing that also changed
> the trill-style glissando to a single line so I didn't pursue that further.
>
> So thirdly I'm looking at the rotate hairpin option, which I guess makes it
> possible to achieve manually in each case, as there are not all that many
> instances, but will presumably need tweaking if there are any future layout
> changes.
>
> Have I missed something? I feel like the second way ought to be achievable
> but I can't work out how to set the glissando style independently in
> different voices, if that is possible. If there is a more graceful way of
> doing it that would also be much appreciated.
>
> Thanks for any help!
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