Tim,
Would you mind expounding a little further on what you feel has degraded
since the original was published? I will tell you what I've done, but
I would appreciate hearing your thoughts, especially if many others feel
similarly.
In bringing the original LilyJAZZ font up to speed, I don't
recall editing ANY of the original glyphs in the font. I did _add_ some to
make it more complete, but that's it.
The other thing that might be causing visual is the stylesheet I've created
to go along with the font family. If that's the problem, please help me
out by offering some suggestions. I've created settings that I thought were
reasonable and compliment the font, but that doesn't mean they have to stay
that way. I guess the nice thing is that you can adapt it to whatever
styles _you_ like.
Please help me know, if you would. Thanks!!
- Abraham
On Sunday, August 23, 2015, Tim McNamara [via Lilypond] <
[email protected]> wrote:
>
> > On Aug 23, 2015, at 1:37 PM, Tim McNamara <[hidden email]
> <http:///user/SendEmail.jtp?type=node&node=180026&i=0>> wrote:
> >
> >
> >> On Aug 23, 2015, at 6:56 AM, BB <[hidden email]
> <http:///user/SendEmail.jtp?type=node&node=180026&i=1>> wrote:
> >
> > <snip>
> >
> >> Does anybody sucessful use LilyJAZZ?
> >
> > Yes, I have been using it for over a year with excellent results,
> although there are some quirks. For example, it kills bar numbering. It
> also interferes with \improvisationOn and I have to turn off LilyJazz to be
> able to use that.
>
> Also, looking at the web page that was referenced in other threads, it
> appears that the old LilyJAZZ font has been completely replaced (looking at
> the example lead sheet). To my eyes the old font was much better and I
> won’t be updating to the new version. The new version looks awkward and
> doesn’t visually flow very well. YMMV.
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