Dear Abraham,
thank you very much for your help.
I added a few single stave instruments without any problems.
1.) I would also like to add a pianostaff with upper and lower voice in each
hand.
After a lot of syntax errors I need some help.
2.) Where and how should I put the StaffGroup to get barlines through all
staves?
Sorry for these simple newbie questions, but I have to finish my score until
tomorrow night.
Best regards and thanks in advance
Martin
example:
\version "2.18.2"
% put all marks and barlines here
global = {
\time 4/4
\key g \major
\mark \markup \box\bold "1"
\repeat volta 8 { s1*4}
\alternative {
{ s1*4 }
{ s1*4 }
}\bar "||"
\mark \markup \box\bold "17"
s1*8
\mark \markup \box\bold "25"
s1*8
\mark \markup \box\bold "33"
s1*8
\mark \markup \box\bold "41"
s1*8
\mark \markup \box\bold "49"
\bar "||"
s1*8
\bar "|."
}
% etc.
%AltoSax
altoSax = \relative c' {
\clef treble
g'1
}
% Trombone
trombone =
\relative c' { \clef bass
g1
}
% guitar
guitar = \relative c {
\clef "treble_8"
g1
}
%%% piano with upper and lower voice for left and right hand? %%%
% put them in parallel with the instrument voice here
altoSax = \new Staff << \global \altoSax >>
trombone = \new Staff << \global \trombone >>
guitar = \new Staff << \global \guitar >>
%piano = ?
% full score in concert pitch
\score {
<<
\altoSax
\trombone
\guitar
>>
\layout {}
}
% part score in transposed pitch
\score {
{ \transpose ees c \altoSax }
\layout {}
}
On 04.09.2015, at 19:12, tisimst wrote:
> Martin,
>
> On 9/4/2015 10:11 AM, Martin [via Lilypond] wrote:
>> Hi List,
>> I try to extract single voices from my written score.
>> Copying all related informations like rehearsal letters (boxed barnumbers),
>> repeats, etc. is very boring.
>> All these informations are written into one part (bass) and of course all
>> other voices are without this marks.
>>
>> Is there any syntax to define it into the \global part of the score?
>>
>
> Absolutely! I do this all the time. I put the rehearsal marks/non-default
> barlines/etc. among spacer rests. then put the \global in parallel with the
> voices in each staff since they are collected at \Score level. This allows
> you to use it in the full score and individual parts, too. This also
> simplifies things like applying transpositions to individual parts while
> having everything in concert pitch in the full score.
>
> Here's a dummy example that should show you at least what I'm talking about:
>
> %%%%%%%%%%%%%
>
> % put all marks and barlines here
> global = {
> \time 3/4
> \key d \major
> s2.*5
> \mark \default
> s2.*10 \bar "||"
> \mark \default
> s2.*8 \bar "|."
> % etc.
> }
>
> altoSax = \relative c' {
> \clef treble
> R2.*5
> R2.*10
> R2.*8
> }
>
> % put them in parallel with the instrument voice here
> altoSax = \new Staff << \global \altoSax >>
>
> % full score in concert pitch
> \score {
> <<
> \altoSax
> >>
> \layout {}
> }
>
> % part score in transposed pitch
> \score {
> { \transpose bes c \altoSax }
> \layout {}
> }
>
> %%%%%%%%%%%%%
>
> There are lots of ways to customize this work-flow to meet your needs, but
> hopefully this gives you a good starting place.
>
> HTH,
> Abraham
>
>
> View this message in context: Re: Extracting voices from score with
> rehearsalnumbers,repeats, etc.?
> Sent from the User mailing list archive at Nabble.com.
> _______________________________________________
> lilypond-user mailing list
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> https://lists.gnu.org/mailman/listinfo/lilypond-user
Martin Lejeune
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