If it makes sense in my opinion only just depends on the harmonic
context and on your musical purpose.
Other "names" for Csus4 3 (c e f g) are
Cadd4 (4 is the g in this case),
Em#5addF/C (#5 here is c, f is added and c is the bass note),
Fmaj7 would be f a c e, but
Fmaj7sus2/C is c e f g
(normally f is root, the 3rd is suspended and the 2nd added, would be an
a but is suspended, instead there is added the 2 = g. c is added as the
bass note - a kind of chord inversion)
If you play jazz that is your "dailybread"!
The "name" and function ALWAYS just depend on the context.
Am 17.09.2015 20:17, schrieb Noeck:
Does Csus4 3 make sense?
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