> I just said that because often Elaine Gould is used as kind of a bible
> and as normative reference, whereas a notable part of her statements
> are personal suggestions and a matter of style or preference. She’s
> just the only one who has made a comprehensive publication on the
> topic (with Stone and Gardner/Read already being more specific, IIUC),
> but the opinions of the master engravers of (chiefly, amongst others)
> Peters and Breitkopf of the ‘golden age’ of hand-engraving music are
> at least equally valuable.
What about Helene Wanske's »Musiknotation« book?
Werner
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