Hello Jean, Phil and Pierre,
Thanks for you help!
As the secondary voice doesn’t need to fill 3 quarter notes, I find that:
\score {
\relative c'' {
\key f \major \time 2/2 | % 147
<<
{a2 r4}
{s4*5/4 s16 \fermata}
>>
e16 -\markup{\dynamic "ff" \italic "librement"} ^\markup{\bold "solo"} [
f16 g16 f16 ]
}
}
does what I need quite well.
JM
> Le 5 oct. 2015 à 19:42, Pierre Perol-Schneider
> <[email protected]> a écrit :
>
> Hi Jacques,
>
> How about:
>
> \version "2.19.28"
>
> \score {
> \relative c'' {
> \key f \major \time 2/2 | % 147
> \set Score.proportionalNotationDuration = #(ly:make-moment 1/1)
> <<
> { a2 r4 }
> { s4 s16 s8.\fermata s4 } %% <= e.g.
> >>
> \unset Score.proportionalNotationDuration
> e16
> -\markup{\dynamic "ff" \italic "librement"}
> ^\markup{\bold "solo"} [ f16 g16 f16 ]
> }
>
> }
>
>
> Cheers,
> Pierre
>
> 2015-10-05 17:25 GMT+02:00 Menu Jacques <[email protected]
> <mailto:[email protected]>>:
> Hello folks,
>
> I’d like to obtain the following from Poulenc, in which the fermata is
> in-between a2 and r4:
>
> <OffsetFermata.png>
>
> I tried with:
>
> \version "2.19.28"
>
> \score {
> \relative c'' {
> \key f \major \time 2/2 | % 147
>
> <<
> {a2 r4}
> {s2 s16 \fermata s8.}
> >>
> e16 -\markup{\dynamic "ff" \italic "librement"} ^\markup{\bold "solo"} [
> f16 g16 f16 ]
> }
> }
>
>
> but then the fermata is right over the r4.
>
> Thanks for the help!
>
> JM
>
>
>
>
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