Thanks Simon!
2015-10-05 20:57 GMT+02:00 Simon Albrecht <[email protected]>: > > > On 05.10.2015 19:00, S wrote: > >> My question may need some clarification. Especially the third example, >> which should look something like this: >> >> Inline afbeelding 1 >> >> \relative c''{ >> <<{<g e>2. r4}\\{<c, a>4 a8 c <cis b~> <d b> <e cis> <f c g>}>> >> } >> >> The tie starting at the b on the third beat in the second voice looks a >> little awkward. It may be theoretically correct, but it looks artificial to >> me since the only movement at that point is c# to d. >> >> What I basically want to know is when it is OK to introduce a new voice >> to get rid of these ties. >> > > It’s OK whenever it serves legibility or is desired by the composer. > You’re completely free to add another voice (that would be \voiceTwo for > the crotchet b and \voiceThree for the beamed quavers group), if you find > it sensible, or the performer will have less trouble reading the music. > > HTH, Simon > >
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