I've done something similar using an ossia staff some time ago. That's
definitely a way.
My solution (which was for drums) looked like this (I can't tell you right now,
where I got the arrowed slur commands from - but that's probably easy to find):
FullDrums = <<
\new DrumStaff = "main" <<
\new DrumVoice { \voiceOne \DrumsUp }
\new DrumVoice { \voiceTwo \DrumsDown }
>>
{
\new DrumStaff \with {
alignBelowContext = "main"
\remove Time_signature_engraver
\remove Clef_engraver
\remove Bar_number_engraver
\remove Bar_engraver
\override StaffSymbol.line-count = #0
fontSize = #-4
\override StaffSymbol.staff-space = #(magstep -3)
\override StaffSymbol.thickness = #(magstep -3)
}
{
\new DrumVoice \drummode {
s1 * 2
s2
\arrowed-slur-outside-staff
\slurDown
s2. \tuplet 3/2 { sn8 sn sn ( }
\noBreak
sn8[ ) sn sn] \stopStaff
}
}
}
>>
That is of course not compilable - just to show how I did it ...
Best, Robert
______
Truth does not change according to our ability to stomach it.
-- Flannery O'Connor
> On 13 Nov 2015, at 06:34, Andrew Bernard <[email protected]> wrote:
>
> The attached image shows a tempo equivalence markup I need to set, indicating
> that a 32 in the context of the preceding 5/4 tuplets now equals a 16. The
> partial tuplet bracket seems complicated to do, and I don’t really know how
> to set this fragment of combined partial music and text. The matter is
> complicated by the fact that I use a custom music font, and worse still (!)
> with notehead glyphs that are specially customised also to achieve the very
> precise appearance the composer requires. So just using \note and so on is
> not what I need. Would this be best done as a type of ossia?
>
> Any help appreciated.
>
>
> Andrew
>
> <tempo-equivalence.jpg>
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