T.Morley, you pointed me in the right direction. This gave me the
\bar"|." I wanted to end the Menuetto with, but still no \bar"|:" to
kick off the Trio.
Turns out it was something to do with the \splitBar that I used to get
my \mark "Fine" AND my \mark \default. As near as I can tell, \splitBar
caused Lilypond to treat my Trio as the first measure of a new piece,
and of course \bar"|:" doesn't print by default.
The snippet in UM 1.4.1 (right before "Written-out repeats") got that
sorted for me, once I figured out that it needs to be in both my
\outlineSleighRide as well as my <instrument>SleighRide parts.
Thanks Morley and Mrotek. I would've spent several days finding this
without you. I'm tempted to omit the alternates, but I'll see which
style I like best.
Complete code listed below, but I have yet to finish the 3 lower string
parts (or lay the outline on top of those parts...)
On 12/14/2015 07:17 PM, Thomas Morley wrote:
#(define-bar-line ".|:-a" "|." ".|:" ".|")
----------------<code>------------------------------
\version "2.18.2"
\header {
title = "Sleigh Ride"
subtitle = "from German Dance, K.605 #3"
instrument = "Score"
composer = "Wolfgang Amadeus Mozart"
}
\paper {
#(set-paper-size "letter")
}
#(ly:set-option 'point-and-click #t)
optionalCut = {\once \override Score.RehearsalMark.break-visibility =
#begin-of-line-invisible
\mark \markup { "Opt. cut to "\raise #1 \musicglyph #"scripts.coda"} }
thecodasign = \mark \markup {\musicglyph #"scripts.coda" "Coda"}
thesegno = \mark \markup {\musicglyph #"scripts.segno"}
varcodasign = \mark \markup {\musicglyph #"scripts.varcoda"}
Radjust = \once \override Score.RehearsalMark.self-alignment-X = #RIGHT
Ladjust = \once \override Score.RehearsalMark.self-alignment-X = #LEFT
gotocoda = { \once \override Score.RehearsalMark.break-visibility =
#begin-of-line-invisible
\Radjust \mark \markup { "Go to "\musicglyph #"scripts.coda" } \bar"||" }
blankClefKey = {\once \override Staff.KeySignature.break-visibility =
#all-invisible
\once \override Staff.Clef.break-visibility = #all-invisible
}
codetta = {\mark \markup \line {\musicglyph #"scripts.coda" \hspace
#-1.3 \musicglyph #"scripts.coda"} }
fineFermata = { \once \override Score.RehearsalMark.break-visibility =
#begin-of-line-invisible
\Radjust \mark \markup {"Fine"} \mark \markup {\musicglyph
#"scripts.ufermata" }
\bar "|." }
fine = { \once \override Score.RehearsalMark.break-visibility =
#begin-of-line-invisible
\Radjust \mark \markup {"Fine"}
\bar "|." }
fineNoEndBar = { \once \override Score.RehearsalMark.break-visibility =
#begin-of-line-invisible
\Radjust \mark \markup {"Fine"}
\mark \markup {\musicglyph #"scripts.ufermata" }
}
DCalfineNoBars = {\Radjust \mark \markup {"D.C. al Fine"} \blankClefKey
\stopStaff \cadenzaOn }
DCalfine = {\Radjust \mark \markup {"D.C. al Fine"} \bar "||"
\blankClefKey \stopStaff \cadenzaOn }
DCalcoda = {\Radjust \mark \markup {"D.C. al Coda"} \bar "||"
\blankClefKey \stopStaff \cadenzaOn }
DSalfine = {\Radjust \mark \markup {"D.S. al Fine"} \bar "||"
\blankClefKey \stopStaff \cadenzaOn }
DSalcoda = {\Radjust \mark \markup {"D.S. al Coda"} \bar "||"
\blankClefKey \stopStaff \cadenzaOn }
showClefKey = {\once \override Staff.KeySignature.break-visibility =
#all-visible
\once \override Staff.Clef.break-visibility = #all-visible
}
resumeStaff = { s32 % Add a whee bit of staff before the clef!
\cadenzaOff \startStaff % Resume bar count and show staff lines again
\bar ""
}
%% whitespace between D.S./D.C. and the Coda:
codaspace = {\repeat unfold 2 {s4 s4 s4 s4 \noBreak \bar "" }}
theCoda = {\noBreak \codaspace \resumeStaff \showClefKey \thecodasign}
%% -------------------end-of-coda-segno-macros------------------
%% --------------------for codas/segno/fine \marks on the "same" barline
splitBar = {
\cadenzaOn
\once \omit Score.TimeSignature
\time 1/16
s16 \bar ""
\cadenzaOff
}
mscoreFormat = {
\set Score.skipBars = ##t
% \override Score.BarNumber.break-visibility = #end-of-line-invisible
%%every bar is numbered.!!!
%% remove previous line to get barnumbers only at beginning of system.
\accidentalStyle modern-cautionary
\set Score.markFormatter = #format-mark-box-letters %%boxed rehearsal-marks
\override Score.TimeSignature.style = #'() %%makes timesigs always numerical
\compressFullBarRests
\override Score.BarNumber.break-visibility = #'#(#f #t #t) % everywhere
except endbar on line
\set Score.barNumberVisibility = #(every-nth-bar-number-visible 4)
% Left-align bar numbers
\override Score.BarNumber.self-alignment-X = #LEFT
\override Glissando.style = #'trill
\override MultiMeasureRest.expand-limit = #1
}
globalSleighRide = {
\mscoreFormat
\key f \major
\numericTimeSignature
\time 3/4
}
outlineSleighRide = {
\tempo "Menuetto" 4=180
\repeat volta 2 { s2.*7 | } % 1-7
\alternative {
{ s2. | } % 8
{ s2. | } % 9
} % end alternative
\mark \default % rehearsal A
\repeat volta 2 { s2.*7 | } % 10-16
\alternative {
{ s2. | } % 17
{ s2. \bar ".|:-a"} % 18
} % end alternative
\fine
\splitBar
\mark \default % rehearsal B
\key bes \major
\tempo "Trio"
\repeat volta 2 {
\once \override Score.BreakAlignment.break-align-orders =
#(make-vector 3 '(instrument-name
left-edge
ambitus
breathing-sign
clef
key-signature
time-signature
staff-bar
custos))
\once \override Staff.TimeSignature.space-alist =
#'((first-note . (fixed-space . 2.0))
(right-edge . (extra-space . 0.5))
;; free up some space between time signature
;; and repeat bar line
(staff-bar . (extra-space . 1)))
\bar ".|:"
% B
s4. s4. | % 19
s2.*6 | % 20-25
} % end volta repeat
\alternative {
{ s2. | } % 26
{ s2. | } % 27
} % end alternative
\mark \default % rehearsal C
\repeat volta 2 { s2.*7 | } % 28-34
\alternative {
{ s2. | } % 35
{ s2. | } % 36
} % end alternative
\key f \major
\DCalfine
} % end outlineSleighRide
violinISleighRideMenuetto = \relative c'' {
\globalSleighRide
\repeat volta 2 {
f'4-. \f \downbow c-. r | % 1
c-. a-. r | % 2
c\downbow a8\downbow a a a | % 3
a4 f c8(\downbow f) | % 4
f( e) d-. c-. c( f) | % 5
f( e) d-. c-. c( f) | % 6
f( e) d-. c-. d-. e-. | % 7
} % end volta repeats
\alternative {
{ f4 r r | } % 8
{ f4 r r | } % 9
} % end alternative
% A
\repeat volta 2 {
g\downbow g g | % 10
e c c8( e) | % 11
g g g g g g | % 12
e4 c c8(\downbow f) | % 13
f( e) d-. c-. c( f) | % 14
f( e) d-. c-. c( f) | % 15
f( e) d-. c-. c-. e-. | % 16
} % end volta repeat
\alternative {
{ f4 r r | } % 17
{ f4 r r | } % 18
} % end alternative
} % end violinISleighRideMenuetto
violinISleighRideTrio = \relative c'' {
\splitBar
\time 3/4
% Trio
% B
\repeat volta 2 {
\once \override Score.BreakAlignment.break-align-orders =
#(make-vector 3 '(instrument-name
left-edge
ambitus
breathing-sign
clef
key-signature
time-signature
staff-bar
custos))
\once \override Staff.TimeSignature.space-alist =
#'((first-note . (fixed-space . 2.0))
(right-edge . (extra-space . 0.5))
;; free up some space between time signature
;; and repeat bar line
(staff-bar . (extra-space . 1)))
\bar ".|:"
r4 d,8(\p f d4)^\markup { \small { Sleigh bells may be added in the
trio. You're in charge delegate!} } | % 19
r es8( f es4) | % 20
r es8( f es4) | % 21
r\< d8( f d4) | % 22
r\! d8( f d4) | % 23
r es8( f es4) | % 24
r\> es8( f es f) | % 25
} % end volta repeat
\alternative{
{d4\! r r | } % 26
{d r r | } % 27
} % end alternatives
% C
\repeat volta 2 {
r es8( g es4) | % 28
r d8( f d4) | % 29
r es8( g es4) | % 30
r d8( f d4) | % 3
r es8( f es4) | % 3
r d8( f d4) | % 3
r es8( f es f) | % 3
} % end volta repeat
\alternative {
{ d4 r r | } % 3
{ d r r | } % 3
}
} % end violinISleighrideTrio
violinISleighRide = { \violinISleighRideMenuetto \violinISleighRideTrio }
violinISleighrideMIDI = { \violinISleighRideMenuetto
\violinISleighRideTrio \violinISleighRideMenuetto }
violinIISleighRide = \relative c'' {
\globalSleighRide
% Music follows here.
}
violaSleighRide = \relative c' {
\globalSleighRide
% Music follows here.
}
violinIIISleighRide = \violaSleighRide
celloSleighRide = \relative c {
\globalSleighRide
% Music follows here.
}
contrabassSleighRide = \celloSleighRide
violinIPartSleighRide = \new Staff \with {
instrumentName = "Violin I"
midiInstrument = "violin"
} { <<\outlineSleighRide \violinISleighRide >> }
violinIIPartSleighRide = \new Staff \with {
instrumentName = "Violin II"
midiInstrument = "violin"
} { << \violinIISleighRide >> }
violaPartSleighRide = \new Staff \with {
instrumentName = "Viola"
midiInstrument = "viola"
} { << \clef alto \violaSleighRide >> }
celloPartSleighRide = \new Staff \with {
instrumentName = "Cello"
midiInstrument = "cello"
} { \clef bass << \celloSleighRide >> }
contrabassPartSleighRide = \new Staff \with {
instrumentName = "Contrabass"
midiInstrument = "contrabass"
} { << \clef "bass_8" \contrabassSleighRide >> }
\score {
<<
\violinIPartSleighRide
\violinIIPartSleighRide
\violaPartSleighRide
\celloPartSleighRide
>>
\layout { }
\midi { }
}
-----------------------<\code>------------------------------
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