>-----Original Message----- >From: David Kastrup [mailto:d...@gnu.org] >Sent: Saturday, February 06, 2016 10:50 AM >To: Peter Gentry >Cc: lilypond-user@gnu.org; 'Christopher R. Maden' >Subject: Re: More ponderings on Chordmode > >"Peter Gentry" <peter.gen...@sunscales.co.uk> writes: > >> Thanks Chris I guessed most of the format but the #.... >Escaped me. To >> # or not to # that is the question..... >> >>> \chords { >>> \set ChordNames.midiInstrument = #"acoustic guitar (steel)" >>> \myChordsTransposed >>> } > >I don't think that leaving off # here would have made a difference. > >-- >David Kastrup
Spot on it was redundant. The main finding is that the sound produced for chords is not too good. I have tried a number of instruments and none of the sounds are satisfactory. Maybe the sustained nature of the chords has some effect or is the attack part of the sound still shaped as a concert piano. It is certainly different to the sound of the melody notes. _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
