I found that it was
\slashedGrace {b8}
that caused the whole double time signature thing. I can only assume it is a
bug. I still need a acciaccatura though. Any thoughts?
Med vennlig hilsen,
Carl-Henrik Buschmann
Lektor
> 20. feb. 2016 kl. 22.02 skrev Carl-Henrik Buschmann <[email protected]>:
>
> Hi guys,
>
> I'm trying to learn how to use lilypond to typeset orchestral material.
> Handling large projects is fun but good documentation regarding this is hard
> to come by. I'm still a lilypond novice and my Google-Fu has let me down, I
> need help.
>
> I'm using my own orchestration which i engraved in Sibelius a while back.
>
> This is my original sibelius score i.e.: the "ideal":
> http://i.imgur.com/fIQJN8v.png <http://i.imgur.com/fIQJN8v.png>
>
> And this is my lilypond output so far:
> http://i.imgur.com/g2OL258.png <http://i.imgur.com/g2OL258.png>
>
> 2) This is the wierdest thing. Double up of time, clef and tempo, what is on
> earth have i done wrong?
>
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