Mark,

No offense to Herr Bach or his playfulness - as an organist, I deeply 
appreciate his genius - and I never thought my innocent question would spark 
such dialog.

>From an engineering standpoint, I would expect the "default" settings of an 
>application to adequately address the "majority" of cases, but allow explicit 
>manipulation to allow the user to do whatever they need to do.  I know my 
>student would agree, especially since he was the one who was confused in the 
>first place.

I suspect the Maestro would also agree, especially since "playfulness" often 
involves looking for opportunities to break the rules.

Karen

> On Apr 7, 2016, at 6:42 PM, Mark Stephen Mrotek <[email protected]> wrote:
> 
> Simon,
> 
> May I be so bold as to inquire, how does the beaming "clearly indicate"
> nothing more than distribution of notes between hands?
> I also present the final measure of the Gigue of the French Suite VI in
> which all of the notes are ascribed to the right hand yet the structure is
> three groups of four against two groups of three.
> To dismiss the possibility of a hemiola might deny some of Bach's
> playfulness.
> 
> Regards,
> 
> Mark
> 
> -----Original Message-----
> From: Simon Albrecht [mailto:[email protected]] 
> Sent: Thursday, April 07, 2016 1:47 PM
> To: Mark Stephen Mrotek <[email protected]>; 'Martin Neubauer'
> <[email protected]>; 'Lilypond-User Mailing List' <[email protected]>
> Subject: Re: AutoBeam Behaving Properly?
> 
>> On 07.04.2016 04:21, Mark Stephen Mrotek wrote:
>> 
>> Martin,
>> 
>> Hemiola?
>> 
>> Cf. WTC I 3 Prelude, measures 97 - 104.
>> 
> 
> The Neue Bach-Ausgabe has the semiquavers beamed three and three only in m.
> 97 & 98, and this clearly indicates primarily the distribution to the
> hands: first three notes sinistra, next three destra. A hemiola is a totally
> different thing, where e.g. in 3/8 time two measures are somewhat stressed
> like one 3/4 measure. There are different interpretations of the phenomenon,
> which mainly occurs at cadenzas.
> 
> Best, Simon
> 
> 
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