HI Joseph,
Sorry. That’s what comes from me writing in a hurry.
Why does this work? Because if you use \\ in voices new voices are created and
discarded after. If you use \new Voice you can tie into and out of the first
voice as it is a continuation of the existing voice.
Also observe that due to the different voice shifting now you can control the
dot on the A flat, and you can have one or not depending on what you wrote or
whatever ot may be that the composer was intending – just set af2 or af2 as per
your desire.
Here followeth the corrected code.
Andrew
— snip
\version "2.19.39"
\language "english"
global = {
\key c \minor
\time 3/4
}
rh = \relative c'' {
<<
{
% soprano
\voiceOne
c2. ~ |
<<
{
c
}
\new Voice
{
\stemDown
\shiftOn
af2.
}
>>
}
\new Voice
{
% alto
\voiceTwo
bf!4 af g~ |
g4 f ef |
}
>>
}
lh = \relative c {
\clef bass
<<
{
\voiceOne
% tenor
\change Staff= "right" \stemDown g''4 \skip 2 |
\change Staff = "left" \stemUp c,2. |
}
\new Voice
{
\voiceTwo
% bass
\change Staff="right" ef4 \change Staff = "left" c4 bf! |
r4 af g |
}
>>
}
pedal = \relative c {
\clef bass
c2.~ |
c2. |
}
\score {
\new PianoStaff
<<
\new Staff = "right" {
\global
\rh
}
\new Staff = "left" {
\global
\lh
}
\new Staff = "pedal" {
\global
\pedal
}
>>
}
— snip
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