Hi Michael, > but how do those gifted with perfect pitch cope with all this?
First off, I wouldn’t exactly call it a “gift”: it’s actually quite irritating at times. For example, it is essentially impossible for me to play a piece on an electronic piano with the “Transpose” button engaged. As to your precise question… For me, the difference between “Baroque pitch(es)” and “modern pitch(es)” are small enough that I can either just adjust my ear for the duration of the performance, or imagine a key signature one semi-tone up or down to compensate for the visual conflict(s). Cheers, Kieren. ________________________________ Kieren MacMillan, composer ‣ website: www.kierenmacmillan.info ‣ email: [email protected] _______________________________________________ lilypond-user mailing list [email protected] https://lists.gnu.org/mailman/listinfo/lilypond-user
