David,
Thank you for your information.
Had you looked at my snippet (attached again) you would have seen that I
used "\grace s8" in the other two voices.
The problem still exists.
Thank you for your kind attention.
Mark
-----Original Message--
From: David Kastrup [mailto:d...@gnu.org]
Sent: Sunday, August 21, 2016 10:11 AM
To: Mark Stephen Mrotek <carsonm...@ca.rr.com>
Cc: lilypond-user@gnu.org
Subject: Re: that acciaccatura issue
"Mark Stephen Mrotek" <carsonm...@ca.rr.com> writes:
> Hello,
>
>
>
> When an acciaccatura (or grace) is attached to the first pitch of one
> of several voices, the other voices must also have one of the same
> duration - usually with a "s" pitch.
>
> How do I attach an acciaccatura to a rest? (Please see attached
> snippet.)
Don't use an \acciaccatura for that purpose (namely for matching the timing
of the _actual_ \acciaccatura that you want). Just use \grace s4 (or
whatever). An \acciaccatura comes with slashed stem and a slur.
You don't want that. The workaround is for the sake of "grace timing"
which is employed by all of \acciaccatura, \appoggiatura, \grace, and
possibly some other stuff, so the unadorned \grace is best for fudging in
pure spacing material.
--
David Kastrup
\version "2.18.2"
\new PianoStaff <<
\set PianoStaff.instrumentName = #"Var. IX "
\new Staff = "upper" <<
\time 4/4
\key bes \major
\new Voice = "soprano"
{ \voiceOne \relative c'' {
\acciaccatura a8 bes4^. r \acciaccatura a8 bes4^. r |
}
}
\new Voice = "alto"
{ \voiceTwo \relative c'' {
\grace s8 r4 \stemDown <d, f> r q |
}
}
>>
\new Staff = "lower"
{
\time 4/4
\key bes \major
\clef bass
\relative c {
\grace s8 r16 bes' (f d bes4) r16 bes' (f d bes4) }
}
>>
\layout {
}
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