That's the ticket! Once again, thank you one and all: David, Thomas, Harm and Martin. You guys are amazing and greatly appreciated! Mark
On Thu, Oct 20, 2016 at 8:39 AM, Thomas Morley <[email protected]> wrote: > 2016-10-20 14:08 GMT+02:00 David Kastrup <[email protected]>: > > Mark Mathias <[email protected]> writes: > > > >> Has anyone a happier method of separating fingering from notes? I would > >> like to produce several versions of the same music using different > >> fingerings for different instruments. > >> > >> For example, a melody might have four versions: one for violin, another > for > >> viola, another for cello and another for double bass. In addition to > >> different clef and octave, each version would call for fingering > >> appropriate to that instrument, but the same file including the melody > >> would be reused in each version. > >> > >> Right now if I separate notes in one \include file from fingerings in > >> another include file and combine them as separate voices, LilyPond > doesn't > >> place the fingering voice with an awareness of the notes voice, leading > to > >> collisions. > >> > >> In the version below, for example, the flageolet nearly touches the > stem of > >> the A, and the 3 is almost fully covered by the notehead of the A an > octave > >> above. > >> > >> My search of manuals, snippets, etc., hasn't turned up a good method. > >> > >> \version "2.19.16" > > %% Add > \new Voice > %% here, otherwise David's proposal will not work sufficiently > > >> \relative c'' { > >> << > >> { \stemNeutral a4 c f a } > >> \\ > > > > Remove the \\ here: it separates voices (which you apparently noticed > > and tried to offset with \stemNeutral, also unneeded). Without \\, > > fingerings and notes are in the same Voice and will get combined. > > > >> { s^\flageolet s^\markup { \finger "↓2" } s^\markup { \finger "↓1" } > >> s^3 } > >> >> > >> g,^\flageolet c^\markup { \finger "↓2" } f^\markup { \finger "↓1" } > a^3 > >> } > > > > -- > > David Kastrup > > > Cheers, > Harm >
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