I recommend to start from the example template from the manual: http://lilypond.org/doc/v2.4/Documentation/user/out-www/lilypond/Vocal-ensembles.html#Vocal-ensembles
/Mats
Jefferson dos Santos Felix wrote:
I don't like the hymn.ly template, and I have tryed to create a real hymn score on lilypond 2.4, but I have some difficulties:
- How can I put the lyrics between the Treble and Bass clef? - How can I adjust the spacement between stanzas? - What's the best way to put a centered Refrain? - Why lilypond doesn't put the lyrics corretly, when I use <<{...}\\{...}>> ? - If it's possible (or more easy), where I get this explanations on manual?
Below, an hymn example (Near the Cross) where occours this problems:
%BEGIN \version "2.4.1"
global = { \key f \major \time 6/4 \set Staff.autoBeaming = ##f \set Staff.printPartCombineTexts = ##f \set Staff.minimumVerticalExtent = #'(-3 . 3) }
\paper { #(set-paper-size "a4") topmargin = 0.5\cm bottommargin = 1.0\cm leftmargin = 1.5\cm linewidth = 18.0\cm headsep = 0.01\cm footsep = 0.01\cm betweensystemspace = 0.01\cm betweensystempadding = 0.01\cm aftertitlespace = 0.01\mm beforetitlespace = 0.01\mm }
\header { title = "Near the Cross" poet = "Frances Jane (Fanny) Crosby, 1869" composer = "William Howard Doane" meter = \markup {" " \note #"2." #+0.9 "=62" } }
Refrain = \markup { \bold \italic { "" \raise #1.2 "Refrain" } }
soprano = \relative c'' { %%% SOPRANO %%% a2 bes4 a2 g4 f2 <<d4\\d>> <<d2.\\d>> c2 f4 f2 a4 a2. g \break a2 bes4 a2 g4 f2 <<d4\\d>> d2. c2 f4 f2 e4 g2. <<f\\f>> \bar "||" \break a2^\Refrain c4 c2. bes2 d4 d2. c2 d4 c2 a4 a2. g \break a2 bes4 a2 g4 f2 <<d4\\d>> d2. c2 f4 f2 e4 g2. <<f\\f>> \bar "|." }
alto = \relative c' { %%% ALTO %%% f2 f4 f2 e4 d2 s4 s2. a2 c4 c2 f4 f2. e f2 f4 f2 e4 d2 s4 bes2. a2 c4 c2 c4 e2. s f2 f4 f2. f2 f4 f2. f2 f4 f2 f4 f2. e c2 d4 c2 cis4 d2 s4 bes2. a2 c4 c2 c4 e2. s }
tenor = \relative c' { %%% TENOR %%% }
bass = \relative c { %%% BASS %%% }
sopWords = {
}
\score { << \new Staff { \override Score.BarNumber #'break-visibility = #all-invisible \global \stemUp << \soprano \alto >> \addlyrics { \set stanza = "1. " Je -- sus, keep me near the cross, There a pre -- cious fon -- tain Free to all, a heal -- ing stream Flows from Cal -- vary's moun -- tain. } \addlyrics { \set stanza = "2. " Near the cross, a trem -- bling soul, Love and mer -- cy found me; There the bright and morn -- ing star Sheds its beams a -- round me. %% Refrain In the cross, in the cross, Be my glory ever; Till my rap -- tured soul shall find rest be -- yond the ri -- ver. } \addlyrics { \set stanza = "3. " Near the cross! O Lamb of God, Bring its scenes be --fore me; Help me walk from day to day, With its sha -- dows o'er me. } \addlyrics { \set stanza = "4. " Near the cross I'll watch and wait Hop -- ing, trus -- ting e -- ver, Till I reach the gold -- en strand, Just be -- yond the ri -- ver. } } \new Staff { \clef bass \global \stemDown << \tenor \bass >> } >> \layout { indent = 0.0\cm %\context { \Score \override SpacingSpanner #'shortest-duration-space = #5.5 } %\context { \Score \override SpacingSpanner #'spacing-increment = #0.8 } } \midi {\tempo 4=93} }
%END
-- ============================================= Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe =============================================
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