Hi Charles,
>> Which mode of input?
>> \chordmode { c1:7 }
>> or
>> { <c' e' g' bf'>1 }
>
> I think \chordmode will be the most useful form of input, because that way we
> know the user's intentions with the chords. It would be tough to infer the
> semantics from just the note input, which is essentially what happens now
> with the current naming process (which is what we are trying to fix)
Except <e bf g’ c''> contains a huge amount of information that cannot
currently be input in \chordmode (as far as I know).
Ultimately, as long as we end up with an input system robust enough to convey
that amount of information, I don’t particularly care whether it’s in
\chordmode or whatever.
Thanks,
Kieren.
________________________________
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: [email protected]
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