Hello br. bruno,
You can control where a rest shows up with say
b\rest
JM
> Le 16 oct. 2017 à 18:55, David Kastrup <[email protected]> a écrit :
>
> Bruno Boyko <[email protected] <mailto:[email protected]>> writes:
>
>> Hello all:
>>
>> I am reworking our Office Books (public prayer books) and as part of that I
>> am putting together a hymn template I have come reasonably close to what I
>> want, thanks to modifying the hymn template found in Frescobaldi. I only
>> need one voice and it isn't SATB. Here is a snippet::
>>
>> \version "2.18.2"
>>
>> first = \relative c'' {
>> \override Score.SpacingSpanner.strict-note-spacing = ##t
>> \set Score.proportionalNotationDuration = #(ly:make-moment 1/10)
>> \key g \minor
>> g4 g g g g g f f4.
>> g4 g g g f g g g2
>> g4 g g f e f e d4.
>> e4 f f f e g f f2 f4(
>> g f) e2( f)
>> }
>> \score {
>> \new Staff \with { \remove "Bar_engraver" \remove
>> "Time_signature_engraver" } <<
>> \new Voice = "first" { \voiceOne \first }
>> \new Lyrics \lyricsto "first" \verseOne
>> \new Lyrics \lyricsto "first" \verseTwo
>> \new Lyrics \lyricsto "first" \verseThree
>>>>
>> }
>>
>> A few points. This almost gives me what I am looking for. But:
>> 1. Lets say I add a rest (say, r4) after the f4. The rest goes on the top
>> line rather than the middle one. Granted, my knowledge of music theory can
>> fit in a thimble with room to spare, but that does not seem right to me
>> 2. What would be considered "best practice" when dealing with hymns where
>> the refrain is first, such as in "Lift High the Cross?"
>
> Just remove \voiceOne : it is for creating a voice distinct from
> \voiceTwo which you don't have.
>
> --
> David Kastrup
>
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